
Gonzalo Jimenez on: ABC CINEMA: Animating An Alphabet Of Movies (0'58")
JB on: Teasing Robert Byington's SXSW 2012 SOMEBODY UP THERE LIKES ME
zaza on: Is This The Ultimate Ad For SHAME?
pete on: Is This The Ultimate Ad For SHAME?
kate on: Is This The Ultimate Ad For SHAME?
Alexandra on: Trailering Keanu Reeves' Filmmaking Doc, SIDE BY SIDE
witherholly on: Picturing Sundance 2011
witherholly on: DVD: Godard's FILM SOCIALISME
James McNally on: Michael Glawogger's WORKING MAN'S DEATH Online
Gonzalo Jimenez on: North Korea Wishes You A Happy 2012 With A Music Video
A Yorgos Lanthimos Masterclass (55’38″) At Göteborg International Film Festival 2012
Lonergan’s MARGARET in Chicago
Picturing WGA Winner Alexander Payne
Trailering Lena Dunham’s “Girls”
“John Cleese Carefully Considers Your Futile Comments” (4’37″)
MPAA Rating Advisory Of The Week: PROJECT X
ABC CINEMA: Animating An Alphabet Of Movies (0’58″)
That’s What Goes On In A Cat’s Head (0’36″)
NSFW: Carlos Charlie Perez Book-Trailers “The Vanishers” 1’52″
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RT @thelindywest: THERE IS A HUMMINGBIRD NEAR ME
RT @CameronCrowe: JD Salinger explains why "Catcher In The Rye" won't work as a movie. 1957. http://t.co/kzdRUWba
RT @Dealfatigue: MT @scottEweinberg re piracy "if I have to wait for it, I'm allowed to steal it." Good luck getting life to work that way. cc: @parislemon
DP: Never have liked Piers Morgan so much as when he tried to get Chris Christie, who makes Gleason seem flat footed, to try to answer Qs 4 real
DP: 5 Predictions For 2012: Yes, I know that we’re already a 7 weeks in… all the more pressure on these predictions,... http://t.co/IW6tNI6g
“I was never let down by the hot dogs, bought from Chicago’s irreplaceable Vienna Beef, which were split down the middle, griddled and laid in a toasted potato bun with or without the classic Chicago garnishes. Better yet is the Bird Dog, a smoked chicken and apple bratwurst from Usinger’s of Milwaukee How the burger could change lives I never divined, but on occasion it was magnificent, as beefy and flavorful as the outer quarter-inch of a Peter Luger porterhouse. More often, though, the meat was cooked to the color of wet newsprint, inside and out, and salted so meekly that eating it was as satisfying as hearing a friend talk about a burger his cousin ate.”
~ Critical Eating: NYTimes Resto Critic Pete Wells Makes A Mouthful Of Shake Shack
“There is an innocence – an almost monastic purity – about Adam Ant’s enduring devotion to pop; after coming off antidepressants a few years ago, he began performing live again, playing modest venues, often unannounced, and later this year he will release a new album. I find myself hoping his audiences are respectful, and kind. Though still beautiful, he has to wear hats and bandanas to disguise the fact that he is now bald. He was always very conscious of his own beauty – “I think to be a pop star you need sex, subversion, style and humour” – and the hair loss seems gratuitously cruel. “Yeah,” he admits with quiet sadness. “It was pretty awful. But – I dunno – you’ve just got to do what you can. It’s part of the job, really. Just gotta get up, have a shave, and get on with it, really.”
~ Adam Ant On A Life In And Out Of Punk And Pop
