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By David Poland poland@moviecitynews.com

Page 22

Link to the List

Nell Minow
AWFJ

1 Up in the Air
2 Where the Wild Things Are
3 Precious
4 Fantastic Mr. Fox
5 (500) Days of Summer
6 District 9
7 Coraline
8 Up
9 Star Trek
10 An Education
Link to the List

Jessica Barnes

1 Where the Wild Things Are
2 The Hurt Locker
3 Moon
4 Inglourious Basterds
5 District 9
6 Funny People
7 Watchmen
8 Star Trek
9 Adventureland
10 Food Inc.
Link to the List

Shelli Sonstein
AWFJ

1 Up in the Air
2 Inglourious Basterds
3 Up
4 The Hurt Locker
5 Precious
6 The Messenger
7 Avatar
8 Zombieland
9 Pirate Radio
10 Bruno
Link to the List

Cynthia Fuchs

1 Back Home Tomorrow
2 Beaches of Agnes
3 How to Fold a Flag
4 The Hurt Locker
5 Living in Emergency
6 October Country
7 Sugar
8 35 Shots of Rum
9 Treeless Mountain
10 24 City
Link to the List

Diana Saenger
AWFJ

1 Avatar
2 The Messenger
3 Bright Star
4 Imaginarium of Dr. Parnassus
5 Sin Nombre
6 Me & Orson Welles
7 The Cove
8 The Burning Plain
9 The Hangover
10
Link to the List

Joanna Langfield
AWFJ

1 Up in the Air
2 The Hurt Locker
3 A Serious Man
4 Avatar
5 Up
6 District 9
7 Crazy Heart
8 An Education
9 (500) Days of Summer
10 Adventureland
Link to the List

Thelma Adams

1 Up in the Air
2 The Hurt Locker
3 Star Trek
4 The Hangover
5 The Young Victoria
6 District 9
7 Coco Before Chanel
8 Inglourious Basterds
9 Paranormal Activity
10 Up
Link to the List

Rebecca Murray

1 Avatar
2 (500) Days of Summer
3 Up
4 An Education
5 Inglourious Basterds
6 The Hurt Locker
7 The Road
8 Zombieland
9 Up in the Air
10 District 9
Link to the List

Claudia Puig
AWFJ

1 The Hurt Locker
2 Up
3 Up in the Air
4 Sin Nombre
5 Sugar
6 (500) Days of SUmmer
7 District 9
8 Inglourious Basterds
9 A Serious Man
10 Summer Hours
Link to the List

Carol Cling
AWFJ

1 The Hurt Locker
2 An Education
3 Bright Star
4 Up
5 Princess and the Frog
6 The Cove
7 A Serious Man
8 In the Loop
9 Up in the Air
10 Sin Nombre

Thelma Adams | Jessica Barnes | Carol Cling | Cyntia Fuchs | Brandy McDonnell | Nell Minow | Rebecca Murray | Claudia Puig | Diana Saenger | Shelli Sonstein

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“Chad Harbach spent ten years writing his novel. It was his avocation, for which he was paid nothing, with no guarantee he’d ever be paid anything, while he supported himself doing freelance work, for which I don’t think he ever made $30,000 a year. I sold his book for an advance that equated to $65,000 a year—before taxes and commission—for each of the years of work he’d put in. The law schools in this country churn out first-year associates at white-shoe firms that pay them $250,000 a year, when they’re twenty-five years of age, to sit at a desk doing meaningless bullshit to grease the wheels of the corporatocracy, and people get upset about an excellent author getting $65,000 a year? Give me a fucking break.”
~ Book Agent Chris Parris-Lamb On The State Of The Publishing Industry

INTERVIEWER
Do you think this anxiety of yours has something to do with being a woman? Do you have to work harder than a male writer, just to create work that isn’t dismissed as being “for women”? Is there a difference between male and female writing?

FERRANTE
I’ll answer with my own story. As a girl—twelve, thirteen years old—I was absolutely certain that a good book had to have a man as its hero, and that depressed me. That phase ended after a couple of years. At fifteen I began to write stories about brave girls who were in serious trouble. But the idea remained—indeed, it grew stronger—that the greatest narrators were men and that one had to learn to narrate like them. I devoured books at that age, and there’s no getting around it, my models were masculine. So even when I wrote stories about girls, I wanted to give the heroine a wealth of experiences, a freedom, a determination that I tried to imitate from the great novels written by men. I didn’t want to write like Madame de La Fayette or Jane Austen or the Brontës—at the time I knew very little about contemporary literature—but like Defoe or Fielding or Flaubert or Tolstoy or Dostoyevsky or even Hugo. While the models offered by women novelists were few and seemed to me for the most part thin, those of male novelists were numerous and almost always dazzling. That phase lasted a long time, until I was in my early twenties, and it left profound effects.
~ Elena Ferrante, Paris Review Art Of Fiction No. 228

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