By David Poland poland@moviecitynews.com

Page 22

Link to the List

Nell Minow
AWFJ

1 Up in the Air
2 Where the Wild Things Are
3 Precious
4 Fantastic Mr. Fox
5 (500) Days of Summer
6 District 9
7 Coraline
8 Up
9 Star Trek
10 An Education
Link to the List

Jessica Barnes

1 Where the Wild Things Are
2 The Hurt Locker
3 Moon
4 Inglourious Basterds
5 District 9
6 Funny People
7 Watchmen
8 Star Trek
9 Adventureland
10 Food Inc.
Link to the List

Shelli Sonstein
AWFJ

1 Up in the Air
2 Inglourious Basterds
3 Up
4 The Hurt Locker
5 Precious
6 The Messenger
7 Avatar
8 Zombieland
9 Pirate Radio
10 Bruno
Link to the List

Cynthia Fuchs

1 Back Home Tomorrow
2 Beaches of Agnes
3 How to Fold a Flag
4 The Hurt Locker
5 Living in Emergency
6 October Country
7 Sugar
8 35 Shots of Rum
9 Treeless Mountain
10 24 City
Link to the List

Diana Saenger
AWFJ

1 Avatar
2 The Messenger
3 Bright Star
4 Imaginarium of Dr. Parnassus
5 Sin Nombre
6 Me & Orson Welles
7 The Cove
8 The Burning Plain
9 The Hangover
10
Link to the List

Joanna Langfield
AWFJ

1 Up in the Air
2 The Hurt Locker
3 A Serious Man
4 Avatar
5 Up
6 District 9
7 Crazy Heart
8 An Education
9 (500) Days of Summer
10 Adventureland
Link to the List

Thelma Adams

1 Up in the Air
2 The Hurt Locker
3 Star Trek
4 The Hangover
5 The Young Victoria
6 District 9
7 Coco Before Chanel
8 Inglourious Basterds
9 Paranormal Activity
10 Up
Link to the List

Rebecca Murray

1 Avatar
2 (500) Days of Summer
3 Up
4 An Education
5 Inglourious Basterds
6 The Hurt Locker
7 The Road
8 Zombieland
9 Up in the Air
10 District 9
Link to the List

Claudia Puig
AWFJ

1 The Hurt Locker
2 Up
3 Up in the Air
4 Sin Nombre
5 Sugar
6 (500) Days of SUmmer
7 District 9
8 Inglourious Basterds
9 A Serious Man
10 Summer Hours
Link to the List

Carol Cling
AWFJ

1 The Hurt Locker
2 An Education
3 Bright Star
4 Up
5 Princess and the Frog
6 The Cove
7 A Serious Man
8 In the Loop
9 Up in the Air
10 Sin Nombre

Thelma Adams | Jessica Barnes | Carol Cling | Cyntia Fuchs | Brandy McDonnell | Nell Minow | Rebecca Murray | Claudia Puig | Diana Saenger | Shelli Sonstein

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“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson