The Southeastern Film Critics Association

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013




BEST PICTURE
1. Up in the Air
2. The Hurt Locker
3. Up
4. Inglourious Basterds
5. A Serious Man
6. (500) Days of Summer
7. Precious: Based on the Novel Push by Sapphire
8. The Messenger
9. Fantastic Mr. Fox
10. District 9

BEST ACTOR
George Clooney – Up in the Air
Runner-up: Jeremy Renner – The Hurt Locker

BEST ACTRESS
Meryl Streep – Julie & Julia
Runner-up: Gabourey Sidibe – Precious: Based on the Novel Push by Sapphire

BEST SUPPORTING ACTOR
Christoph Waltz – Inglourious Basterds
Runner-up: Woody Harrelson – The Messenger

BEST SUPPORTING ACTRESS
Mo’Nique – Precious: Based on the Novel Push by Sapphire
Runner-up: Anna Kendrick – Up in the Air

BEST DIRECTOR
Kathryn Bigelow – The Hurt Locker
Runner-up: Jason Reitman – Up in the Air

BEST ORIGINAL SCREENPLAY
Scott Neustadter & Michael H. Weber – (500) Days of Summer
Runner-up: Mark Boal – The Hurt Locker

BEST ADAPTED SCREENPLAY
Jason Reitman and Sheldon Turner – Up in the Air
Runner-up: Wes Anderson & Noah Baumbach – Fantastic Mr. Fox

BEST FOREIGN-LANGUAGE FILM
Summer Hours (France)
Runner-up: The White Ribbon (Germany)

BEST DOCUMENTARY
Food, Inc.
Runner-up: The Cove

BEST ANIMATED FEATURE
Up
Runner-up: Fantastic Mr. Fox

WYATT AWARD
That Evening Sun
Runner-up: Goodbye Solo

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies