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The Southeastern Film Critics Association

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013




BEST PICTURE
1. Up in the Air
2. The Hurt Locker
3. Up
4. Inglourious Basterds
5. A Serious Man
6. (500) Days of Summer
7. Precious: Based on the Novel Push by Sapphire
8. The Messenger
9. Fantastic Mr. Fox
10. District 9

BEST ACTOR
George Clooney – Up in the Air
Runner-up: Jeremy Renner – The Hurt Locker

BEST ACTRESS
Meryl Streep – Julie & Julia
Runner-up: Gabourey Sidibe – Precious: Based on the Novel Push by Sapphire

BEST SUPPORTING ACTOR
Christoph Waltz – Inglourious Basterds
Runner-up: Woody Harrelson – The Messenger

BEST SUPPORTING ACTRESS
Mo’Nique – Precious: Based on the Novel Push by Sapphire
Runner-up: Anna Kendrick – Up in the Air

BEST DIRECTOR
Kathryn Bigelow – The Hurt Locker
Runner-up: Jason Reitman – Up in the Air

BEST ORIGINAL SCREENPLAY
Scott Neustadter & Michael H. Weber – (500) Days of Summer
Runner-up: Mark Boal – The Hurt Locker

BEST ADAPTED SCREENPLAY
Jason Reitman and Sheldon Turner – Up in the Air
Runner-up: Wes Anderson & Noah Baumbach – Fantastic Mr. Fox

BEST FOREIGN-LANGUAGE FILM
Summer Hours (France)
Runner-up: The White Ribbon (Germany)

BEST DOCUMENTARY
Food, Inc.
Runner-up: The Cove

BEST ANIMATED FEATURE
Up
Runner-up: Fantastic Mr. Fox

WYATT AWARD
That Evening Sun
Runner-up: Goodbye Solo

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“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

“You have to watch the end of the show to see how I feel—I mean, kids are a wonderment. I am quite fond of most of the young people in ‘The Slap,’ actually; it’s the grown-ups who have so much to learn. But to think of ‘The Slap’ as being a critique of contemporary parenting would be to miss the point. Like saying Birdman is about a life in the theater, instead of about a vast pool of narcissism that, again, denudes all grace until all you have is blistered (male) rage and bruised egos. I can’t speak to helicopter parents, but I sure do know a lot about not waking up every day and counting your goddamn blessings, and how fucking toxic that is. And that’s what I see all around me, a kind of spiritual autism, a narcissism of small things, and that’s ‘The Slap.’ Argh. But I like to think that it’s not immutable, that there are still synaptic charges toward doing the right thing, that we are capable of recognition—and being better. I think it’s about what happens when kindness is obliterated by desire.”
~ Jon Robin Baitz

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