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David Poland

By David Poland

PRESS RELEASE – 2nd Sundance Buy Made Offiicial


6 Responses to “PRESS RELEASE – 2nd Sundance Buy Made Offiicial”

  1. EthanG says:

    Stoked for this one.

  2. Rothchild says:

    Jay Leno said he was “sucker-punched” by Kimmel and didn’t know he was going to rip him to shreds.

  3. Rob says:

    Okay, look, I know what I’m proposing is a total longshot, but if Julianne gets nominated for A Single Man, there needs to be a late-in-the-game Marcia Gay Harden-style upset.
    Everyone’s bored with this Oscar race already, Mo’Nique’s acceptance speeches have been sanctimonious bores, and it will be Julianne’s 5th nomination, at a time when she’s almost 50 and hot as ever. Let’s make this happen, Harvey.

  4. Ju-osh says:

    Entirely Off-topic:
    Dave: Have you heard Jimmy Kimmel’s side of the Leno story yet, and if so, how do you feel it plays into your previously “It’s all just PR” take on it?
    Link to Kimmel talking about it:

  5. hcat says:

    After the Miramax news its good to see Focus still in the game. With all the money bleeding from their parent studio and network, they have to be more than a little nervous about thier future following the Comcast sale.

  6. jennab says:

    Dave, can you give us some perspective on this sale? IMDB purports the budget @ $10 mil, which we can assume is inflated hooey.
    If so, what does a sale of $5 mil mean, and why are folks celebrating? Did the filmmakers sell off the underlying rights to the film, or just distribution rights in certain territories? How will financiers re-coup?
    Yeah, I’ve pretty much given up on indie film (as a business model), yet…there will always be an art house market, and the theatrical market will not die, ever. Especially with 3D reinvigorating the movie-going experience.
    So, how do these numbers crunch? Again, can we just assume that the actual production budget was closer to $3-$4 and that’s why the sale is being touted as a success?
    Your thoughts, please!

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier