Los Angeles Film Critics Association

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013






PICTURE
The Hurt Locker
Runner-Up: Up in the Air

DIRECTOR
Kathryn Bigelow, The Hurt Locker
Runner-Up: Michael Haneke, The White Ribbon

ACTOR
Jeff Bridges, Crazy Heart
Runner-up: Colin Firth, A Single Man

ACTRESS
Yolande Moreau, Seraphine
Runner-up: Carey Mulligan, An Education

ANIMATION
Fantastic Mr. Fox
Runner-up: Up

FOREIGN LANGUAGE FILM
Summer Hours
Runner-up: The White Ribbon

SUPPORTING ACTRESS
Mo’Nique, Precious
Runner-up: Anna Kendrick, Up in the Air

SUPPORTING ACTOR
Christoph Waltz, Inglourious Basterds
Runner-up: Peter Capaldi, In the Loop

SCREENPLAY
Jason Reitman and Sheldon Turner, “Up in the Air”
Runner-up: Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche, In the Loop

DOCUMENTARY/NON-FICTION FILM
The Beaches of Agnès and The Cove (tie)

MUSIC/SCORE
T-Bone Burnett and Stephen Bruton, Crazy Heart
Runner-up: : Alexandre Desplat, Fantastic Mr. Fox

PRODUCTION DESIGN
Philip Ivey, District 9
Runner-up: Rick Carter and Robert Stromberg, Avatar

CINEMATOGRAPHY
Christian Berger, The White Ribbon
Runner-up: Barry Ackroyd, The Hurt Locker

DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO C.W.
Winter and Anders Edstrom, The Anchorage

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“The city to me is the only possible vehicle we have to measure human achievement. We’re an urban species now. If you look at Karachi or Mexico City or Hong Kong or London or New York or Yonkers or Baltimore or any of these other places, the pastoral is now a part of human history. We’re either going to figure out how to live together in these increasingly crowded, increasingly multi-cultural population centers or we’re not. We’re either going to get great at this or we’re going to fail as a species.”
~ David Simon

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel