The Hobbit: Battle of the Five Armies

Los Angeles Film Critics Association

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014






PICTURE
The Hurt Locker
Runner-Up: Up in the Air

DIRECTOR
Kathryn Bigelow, The Hurt Locker
Runner-Up: Michael Haneke, The White Ribbon

ACTOR
Jeff Bridges, Crazy Heart
Runner-up: Colin Firth, A Single Man

ACTRESS
Yolande Moreau, Seraphine
Runner-up: Carey Mulligan, An Education

ANIMATION
Fantastic Mr. Fox
Runner-up: Up

FOREIGN LANGUAGE FILM
Summer Hours
Runner-up: The White Ribbon

SUPPORTING ACTRESS
Mo’Nique, Precious
Runner-up: Anna Kendrick, Up in the Air

SUPPORTING ACTOR
Christoph Waltz, Inglourious Basterds
Runner-up: Peter Capaldi, In the Loop

SCREENPLAY
Jason Reitman and Sheldon Turner, “Up in the Air”
Runner-up: Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche, In the Loop

DOCUMENTARY/NON-FICTION FILM
The Beaches of Agnès and The Cove (tie)

MUSIC/SCORE
T-Bone Burnett and Stephen Bruton, Crazy Heart
Runner-up: : Alexandre Desplat, Fantastic Mr. Fox

PRODUCTION DESIGN
Philip Ivey, District 9
Runner-up: Rick Carter and Robert Stromberg, Avatar

CINEMATOGRAPHY
Christian Berger, The White Ribbon
Runner-up: Barry Ackroyd, The Hurt Locker

DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO C.W.
Winter and Anders Edstrom, The Anchorage

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The Hobbit: Battle of the Five Armies

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“Any time a movie causes a country to threaten nuclear retaliation, the higher-ups wanna get in a room with you… In terms of getting the word out about the movie, it’s not bad. If they actually make good on it, it would be bad for the world—but luckily that doesn’t seem like their style… We’ll make a movie that maybe for two seconds will make some 18-year-old think about North Korea in a way he never would have otherwise. Or who knows? We were told one of the reasons they’re so against the movie is that they’re afraid it’ll actually get into North Korea. They do have bootlegs and stuff. Maybe the tapes will make their way to North Korea and cause a fucking revolution. At best, it will cause a country to be free, and at worst, it will cause a nuclear war. Big margin with this movie.”
~ Seth Rogen In Rolling Stone 1224

“Yes, good movies sprout up, inevitably, in the cracks and seams between the tectonic plates on which all of these franchises stay balanced, and we are reassured of their hardiness. But we don’t see what we don’t see; we don’t see the effort, or the cost of the effort, or the movies of which we’re deprived because of the cost of the effort. Paul Thomas Anderson’s Inherent Vice may have come from a studio, but it still required a substantial chunk of outside financing, and at $35 million, it’s not even that expensive. No studio could find the $8.5 million it cost Dan Gilroy to make Nightcrawler. Birdman cost a mere $18 million and still had to scrape that together at the last minute. Imagine American movie culture for the last few years without Her or Foxcatcher or American Hustle or The Master or Zero Dark Thirty and it suddenly looks markedly more frail—and those movies exist only because of the fairy godmothership of independent producer Megan Ellison. The grace of billionaires is not a great business model on which to hang the hopes of an art form.”
~ Mark Harris On The State Of The Movies