By Other Voices voices@moviecitynews.com

LETTERS FROM LARRY

DEAR DAVID:

In case the readers of these posts think I’m a softie who likes everything he ever sees or who is blowing smoke up the ass of the Sundance programming staff let me clarify:

LIFE IS TOO SHORT TO PAN ALL THE BAD FILMS

There are plenty of weak or ordinary films here this year as every year at this and every festival for vastly different reasons.

If a film is weak but likely to be popular, there’s no point in attacking it.

If a film is weak and nobody is going to like it, there’s also no point in attacking it. You’re just piling on a dead horse.

There are plenty of pretty good, so-so movies you find yourself kind of liking. But if your honest in describing your reactions and all the flaws you notice, you can’t help sounding like – or being read like – you’re doing a pan. That’s the bad part of the thumbs up or down consumer culture situation we’re in. So I skip those too.

As a reader I never learn from negative reviews except for learning about the kind of thing those reviewers don’t like.

You learn more from a writer whenever they talk about what they like. You learn the most when they talk about what they love. That’s what they’re motivated to search out and see with precision.

Art, in anything from criticism to filmmaking to pingpong is that seeing with precision. Or as I think Ezra Pound said, “Art is attention.”

Larry
Sent from my iPhone

_________________________________

Larry Gross is a 25 year screenwriting veteran and Winner of Sundance’s Waldo Salt Screenwriting Award for his most recent release, We Don’t Live Here Anymore.

Comments are closed.

Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo