By Other Voices voices@moviecitynews.com

LETTERS FROM LARRY

DEAR DAVID:

If there’s a better film that plays at Sundance 2010, than Jacques Audiar’s thrillingly compelling A Prophet (Un Prophete) I will be surprised.

Audiard synthesizes a classic young-gangster-on-the-rise tale akin to Scarface or Public Enemy with a convincing depiction of what it is like to make it in French society as an illiterate teenager of North African Arabic descent.

Audiard’s provocative choice was to set this brutal story of crime entirely in a bleak and terrifying prison.

In The Battle of Algiers and Malcolm X we were shown how, in prison a criminal might be politicized. Here, Audiard’s protagonist Malik knows nothing of his Islamic roots, at the start, and could care less. Sheer survival is the art he cultivate. But he has anuncanny combination of intelligence and luck. He realizes that ultimately that there is no survival without power. Audiard’s film is political even if his hero is not.

Two superlative performances drive A Prophet. Tahar Rahum as Malik is like a young De Niro or Pacino. You feel as if you see his nerves are exposed as he faces down each new threat, and his gradually increasing strength and confidence become uniquely believable.

Niels Asterup is the old time mob boss who teaches and terrorizes Malik and he brings a constantly surprising freshness to his scenes.

A Prophet puts new wine in old barrels in a way Hollywood genre film makers dream of doing but rarely know how to do. It deserves to be sensationally popular with American audiences.

Larry
Sent from my iPhone

_________________________________

Sundance 2010 Letters from Larry
Jan 21

_________________________________

Larry Gross is a 25 year screenwriting veteran and Winner of Sundance’s Waldo Salt Screenwriting Award for his most recent release, We Don’t Live Here Anymore.

Comments are closed.

Quote Unquotesee all »

“With any character, the way I think about it is, you have the role on the page, you have the vision of the director and you have your life experience… I thought it was one of the foundations of the role for John Wick. I love his grief. For the character and in life, it’s about the love of the person you’re grieving for, and any time you can keep company with that fire, it is warm. I absolutely relate to that, and I don’t think you ever work through it. Grief and loss, those are things that don’t ever go away. They stay with you.”
~ Keanu Reeves

“I was checking through stuff the other day for technical reasons. I came across The Duellists on Netflix and I was absolutely stunned to see that it was exquisitely graded. So, while I rarely look up my old stuff, I stopped to give it ten minutes. Bugger me, I was there for two hours. I was really fucking pleased with what it was and how the engine still worked within the equation and that engine was the insanity and stupidity of war. War between two men, in that case, who fight on thought they both eventually can’t remember the reason why. It was great, yeah. The great thing about these platforms now is that, one way or another, they’ll seek out and then put out the best possible form and the long form. Frequently, films get cut down because of that curse in which the studio felt or feels that they have to preview. And there’s nothing worse than a preview to diminish the original intent.Oh, yeah, how about every fucking time? And I’ve stewed about films later even more because when you tell the same joke 20 times the joke’s no longer funny. When you tell a bad joke once or twice? It’s fine. But come on, now. Here’s the key on the way I feel when I approach the movie: I try to keep myself as withdrawn from the project as possible once I’ve filmed it. And – this is all key on this – then getting a really excellent editor so I never have to sit in on editing. What happens if you sit in is you become stale and every passage or joke, metaphorically speaking, gets more and more tired. You start cutting it all back because of fatigue. So what you have to do is keep your distance and therefore, in a funny kind of way, you, as the director, should be the preview and that’s it.”
~ Sir Ridley Scott