Golden Globes Awards

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MOTION PICTURES

BEST MOTION PICTURE – DRAMA
AVATAR
Lightstorm Entertainment; Twentieth Century Fox

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BEST MOTION PICTURE – COMEDY OR MUSICAL
THE HANGOVER
Warner Bros. Pictures; Warner Bros. Pictures

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BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
ROBERT DOWNEY JR. – SHERLOCK HOLMES

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BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
MERYL STREEP – JULIE & JULIA
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BEST DIRECTOR – MOTION PICTURE
JAMES CAMERON AVATAR

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BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
SANDRA BULLOCK – THE BLIND SIDE

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BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
JEFF BRIDGES – CRAZY HEART

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BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
MO’NIQUE – PRECIOUS

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BEST ANIMATED FEATURE FILM
UP –
Walt Disney Pictures/PIXAR Animation Studios; Walt Disney Studios Motion Pictures

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BEST ORIGINAL SONG – MOTION PICTURE
CRAZYHEART
Music & Lyrics by: Ryan Bingham, T Bone Burnett

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BEST ORIGINAL SCORE – MOTION PICTURE
MICHAEL GIACCHINO – UP

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BEST SCREENPLAY – MOTION PICTURE
JASON REITMAN, SHELDON TURNER – UP IN THE AIR

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BEST FOREIGN LANGUAGE FILM
THE WHITE RIBBON (GERMANY)

(DAS WEISSE BAND – EINE DEUTSCHE KINDERGESCHICHTE)
Wega Films; Sony Pictures Classics

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BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
CHRISTOPH WALTZ – INGLOURIOUS BASTERDS

TELEVISION

BEST TELEVISION SERIES – COMEDY OR MUSICAL

GLEE (FOX)
Twentieth Century Fox Television

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BEST TELEVISION SERIES – DRAMA
MAD MEN (AMC)
AMC

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BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES -COMEDY OR MUSICAL
TONI COLLETTE – UNITED STATES OF TARA

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BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES,
MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
JOHN LITHGOW – DEXTER

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BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
MICHAEL HALL – DEXTER

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BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
JULIANNA MARGULIES – THE GOOD WIFE

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BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
GREY GARDENS
(HBO)
Specialty Films and Locomotive in association with HBO Films

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BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION
PICTURE MADE FOR TELEVISION
KEVIN BACON – TAKING CHANCE

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BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION
PICTURE MADE FOR TELEVISION
DREW BARRYMORE – GREY GARDENS

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BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES -COMEDY OR MUSICAL
ALEC BALDWIN 30 ROCK

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BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A
SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

CHLOË SEVIGNY – BIG LOVE

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier