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By Ray Pride Pride@moviecitynews.com

John Patterson on The New World as "misunderstood masterpiece"

brillaintrogerfriedman.jpgAs decade-end lists flutter down, John Patterson‘s consideration of The New World after 30 viewings as a misunderstood mid-2000s masterpiece is a fine read. Here’s a taste: “And then there is the editing. Malick extrudes his movies from the film-bins in the editing suite, “finding” as much of the movie there as he does on location. I’ve seen three separate edits (the 150 minute pre-release version that knocked me out, the 135 release cut (25 of those 30 viewings), and the Blu-Ray director’s cut of 172 minutes) and all strike distinct and equally wondrous variations on the same themes, yet seem radically different to one another at a gut level. This clearly suggests that Malick’s editing has nothing in common with the frame-fucking visual aesthetics of Tony Scott, as has been suggested by more than one fool. In fact, it has more in common with Godard’s jump-cuts, which once seemed so radical and disorienting but which have been absorbed and are now part of the common, comprehensible rubric of the form. Far from being meaningless or self-indulgent, there is insight, a mini-revelation, a deepening of meaning, or just a blessed surprise in almost every one of Malick’s cuts, which cleave in style to this rich filmic inheritance, whereas Scott is a creature of violent eye-ache, and little else.” [Much more at the link.]

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“With every table in the dining room occupied and me, the only waiter, neglecting the needs of a good fifty patrons, I approached Roth. Holding out Balls as a numbness set into the muscles of my face, I spoke. “Sir, I’ve heard you say that you don’t read fiction anymore, but I’ve just had my first novel published and I’d like to give you a copy.”

“His eyes lifting from his iPhone, he took the book from my hands. He congratulated me. Then, staring at the cover, he said, “Great title. I’m surprised I didn’t think of it myself.”

“These words worked on me like a hit of morphine. Like two hits. It felt as if I was no longer the occupant of my own body. The legs had gone weak, the ears warmed, the eyes watered, the heart rate increased rapidly. Barely able to keep myself upright, I told him, “Thank you.”

“Then Roth, who, the world would learn sixteen days later, was retiring from writing, said, in an even tone, with seeming sincerity, “Yeah, this is great. But I would quit while you’re ahead. Really, it’s an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it’s not any good. I would say just stop now. You don’t want to do this to yourself. That’s my advice to you.”

“I managed, “It’s too late, sir. There’s no turning back. I’m in.”

“Nodding slowly, he said to me, “Well then, good luck.”

“After which I went back to work.”
~ Julian Tepper

“Any form of physical or sexual assault is a very serious matter, potentially a legal matter. But I’m also wondering, what about having some kind of “extreme asshole” clause? I know lots of people who have been abused verbally and psychologically. That’s traumatizing, too. What do we do with that?  It takes a lot of energy to be an asshole. The people I admire most just aren’t interested in things that take away from their ability to make stuff. The people I really respect, and that I’ve met who fit this definition, have a sense of grace about them, because they know that there is no evolving and there is no wisdom without humility. You can’t get better if you behave in a way that shuts people off. You can’t! You don’t have all the ideas necessary to solve something. You don’t! I’m sure if you spoke to Harvey in his heyday and said to him what I just said to you, he would believe that he accomplished all that he had because of the way he behaved.”
~ Steven Soderbergh