MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Best Actress Chart

BEST ACTRESS
Actress – Film
Comment
Meryl Streep – Julie and Julia
Carey Mulligan – An Education
Helen Mirren – The Last Station
Gabourey Sidibe – Precious
Marion Cotillard – Nine
Emily Blunt – The Young Victoria
Sandra Bullock – The Blind Side
Shohreh Agdashloo – The Stoning of Soraya M
Abbie Cornish – Bright Star



BEST SUPPORTING ACTRESS
Actress – Film
Comment
Mo’Nique – Precious
Penelope Cruz – Nine
Julianne Moore – A Single Man
Anna Kendrick – Up in the Air
Vera Farmiga – Up in the Air
Sigourney Weaver – Avatar
Susan Sarandon – The Lovely Bones
Amy Adams – Julie & Julia
Patricia Clarkson – Whatever Works
Kate Hudson – Nine

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“It would be difficult to find something made by a human being that isn’t pregnant with a vision of the world. Likely impossible. It’s inherent to existence. It turns out that world visions can coincide with a certain hegemonic idea of what the world is —or not. It’s like when they say that “indie cinema” is intellectual, simply because it does not coincide with a narrative system the industry legitimates. But the industry is as intellectual as ‘indie’ movies. The difference is that one affirms reality, doesn’t call it into question. And not all ‘art movies’ are after that. You’ve got to call reality into doubt. Or better yet, I’d say you’ve got to be suspicious of reality. Because if you’re not, there’s no possible transformation. Every one of us who has done cinema —to speak just of moviemaking— has contributed our perspectives to a vision of the world. A community needs that —lots of perspectives. There will be times when some are valued more than others. But the really important thing is that a lot of different visions coexist. The big task is to facilitate that variety.”
~ Lucrecia Martel

“It’s a film festival’s job—and increasingly so—to create moments of recognition, of enjoyment, of shock, of learning. Not of consumerism. Not of implementing cultural policy. But moments without pretence, unclouded by vested interests, by intervention, by cynicism, by everyday business. Committed to nothing but the thing itself. Under obligation to nothing, to no one, not even to the filmmakers themselves. To basically seek access to a form that does not yet exist, a place no one has been to, a time that has not yet come. ’A form that thinks, and a thought that forms,’ as Jean-Luc Godard has it.”
~ Hans Hurch, late director of the Viennale