MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Friday Estimates by Klady – These Is Them

Title – Distrib – Gross * – Theater – % Change

11 Responses to “Friday Estimates by Klady – These Is Them”

  1. marychan says:

    Is the Box office performance of THAT IS IT may not be disappointing? Depend on different expectation of different people.
    But Sony and AEG had wished for much better result, so the performance is disappointing for them.
    By the way, it looks like THE BOONDOCK SAINTS II: ALL SAINTS DAY would become a good success for Sony Pictures Worldwide Acquisitions Group. Congrats to SPWAG, Troy Duffy and other people involved in this film.

  2. martin says:

    BD2 should have gotten a wider release this weekend. I know a lot of people that caught it on DVD, it’s kind of a cult classic. Would have done a solid 8-10 mill open if they’d gone over 2000 theaters.

  3. EthanG says:

    So DP, is this a critique of AEG and Sony, which wildly overpaid/overestimated the potential for this film, thus setting off the media frenzy.
    It’s not the fact that $40 million won’t be great for a concert film…Michael Jackson was arguably the most famous person alive at the time of his death. And yet in North America he’ll do probably 25 million less than Hannah Montana…hilarious!!! Sony will make money off this, but not as much as it stands to make from “Zombieland.” Not by a long shot.
    Nice per theatre for “House of the Devil” considering it’s already VOD.
    Boondock Saints 2 is very disapointing. It could have done $5 million this weekend in 100 theatres if it had any kind of marketing whatsoever. Literally everyone that I know is shocked to hear it’s coming out this weekend…and in a frenzy to see it. Apparition has a way to go….

  4. marychan says:

    I don’t think it is the fault of Apparition. They just market/release this film with the P&A money from Sony. (In this case, I don’t think Sony gives too much P&A money to Apparition)
    THE BOONDOCK SAINTS II: ALL SAINTS DAY is actually from Sony Pictures Worldwide Acquisitions Group’s Stage 6 label. Most films from Stage 6 went straight-to-video, so it is lucky that SPWAG/Stage 6 agree to give THE BOONDOCK SAINTS II: ALL SAINTS DAY a very modest theatrical release.
    The very modest theatrical release of THE BOONDOCK SAINTS II: ALL SAINTS DAY is clearly for helping drive DVD sales/rentals. About $5000 PTA (at the opening weekend) would be a success for this film. Afterward, this film would do much better in DVD/Blu-ray market (which is the film’s main market).

  5. The Big Perm says:

    So if Paranormal Activity isn’t the most profitable movie ever, what is? Not it terms of money made, but the ratio of how much spent vs how much made. Blair Witch? Halloween?

  6. martin says:

    Mary, I disagree. Boondock could have done quite well in a standard theatrical release, it was not so niche that it needed to go directly to DVD (minus this token theatrical run). Money was left on the table due to this decision, IMO. Money that would have also paid off on ancillaries.

  7. EthanG says:

    Top 5 (caveat on Paranormal Activity…it’s unknown how much the reshot of the last scene cost):
    1. Blair Witch-248 million worldwide on $35,000
    2. Tarnation-1.1 million worldwide on $218
    3. Paranormal Activity
    4. Mad Max
    5. Supersize Me
    6. Night of the Living Dead.
    7. Rocky
    8. Halloween
    9. American Graffiti
    10. Once
    Of course that doesn’t take into account P&A on the films, just the production budgets and worldwide gross.

  8. jeffmcm says:

    It’s likely that professional sound mixes on Blair Witch and Tarnation raised their budgets a bit above the $218 level.

  9. Lota says:

    Deep Throat should be on that most profits list. Porn doesn;t have much P & A to cut into profit does it?
    ALso–there’s some other Indies that could be on that list and they are escaping me for the moment. Argh

  10. Telemachos says:

    MY BIG FAT GREEK WEDDING. What was the budget on THE GODS MUST BE CRAZY?

  11. Bob Violence says:

    Deep Throat should be on that most profits list. Porn doesn;t have much P & A to cut into profit does it?

    There was no reliable tracking system for porn films, so nobody really knows how much it made. And mafia accounting is probably even more creative than the Hollywood kind.

    Tarnation and Blair Witch come closer to half a million each after post-production costs (clearances for Tarnation, reshoots for BWP, mixing for both).

Leave a Reply

Box Office

Z

Quote Unquotesee all »

“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows

‘This grooming and styling thing? It’s fucking poodles. Human poodles. I feel sorry for a poodle because he’s a dog. You know, a dog is a fucking great creature. They would do anything for you. And the poodle gets a haircut. No one asks if the poodle wants his hair cut like that. Do they? They just fucking cut his hair like that. And he just walks around. And everyone is like, “Why is that poodle so snarky?” Fuck you. Style, I think, is panache. Who are you? What did you do today? And what are you worth to me? What do you have to offer the world? How did you spend your time today on this planet? How are you spending your time every second? What are you doing now? Are you alive, or are you somnambulant? If you are somnambulant, then you are a fucking prick. Style is your ability to be awake. But who the fuck am I to judge? I’m starting to get really arrogant.”
GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
“J.Lindeberg. Because I really love his suits.”
~ Stylin’ Tom Hardy

Z Z