By David Poland email@example.com
Weekend Estimates by Klady – August 30
Well, 3D advocates, The Final Destination is good fodder for you. The series opens went up 60% from 1 to 2, 19% from 2 to 3, and now up 47% from 3 to 4 when you would expect a drop, not a rise. Assuming that 25% of that is 3D pricing, that’s still a healthy 10% – 15% rise in actual attendance for the fourth movie in the dying franchise.
The question remains… 3D: novelty or trend?
Others have Inglourious Basterds holding even better than Klady does… but either way (and even if it turns out to be 52% in the “finals”) the hold is about right for the opening and the genre.
Rob Zombie’s Halloween 2 gave The Weinstein Company – pronounced dead by much of the media just a week or two ago – two of the top three films for the weekend. And maybe that was the point. If you have a company that has been treading water for 7 months, barely showing a public face, and you want to tell your investors that you are serious about your future, what more could you ask than two of the top three at the box office, plus a record-breaking launch for Project Runway on your TV side?
The answer to that normally rhetorical question is: #1 and #2 at the box office instead of #2 and #3. Had Zombie’s H2 opened like his H1 and TFD opened like FD3, it would have been a 1-2 punch for Harvey.
These are also the #2 and #3 openings EVER from The Weinstein Co/Dimension on its own and #4/#5 for The Weinsteins since Disney, MGM or not.
Still, the statement, albeit a tiny bit gentler than they might have liked, has been made.
(I hate to say this, but I must… it is often when companies seem to be coming out of the woods like this that the other shoe drops. Last summer, for instance, WB laid off 300 in Burbank shortly after Dark Knight broke box office records. This is also how the media often misses the story both coming and going. For the sake of the staff at TWC, let’s hope that the smiling public face matches the inside face right now.)
Julie & Julia had a great hold… est. 20%… as it continues to make a play for $100m… which is probably out of reach. Thing is, Sony got the movie to the oldster release period… the older audience that doesn’t go for the first few weeks, but finally gets there on word of mouth. A mini Big Fat Greek Wedding if you will. They must have been patterning on Mamma Mia! numbers, which had drops in the 20s in weekends 5 and 6 and then a 25% positive bump over the Labor Day 4-day. If Sony can pull that off, the film will be near $85m at the end of next Monday.
Also working that leggy chick flick thing, The Time Traveler’s Wife is becoming a major surprise movie. It probably won’t get to the $81 million of The Notebook, but this drama is steaming along towards the high 60s/low 70s. Few people would have put this one in their Top 20 of Summer 2009 movie grossers and it is heading there.
A bunch of landmarks this weekend… The Ugly Truth passes $85m, The Hangover passes $270m, Up is just two days shy of $290m, (500) Days of Summer passes $25m to become the #3 release by a Dependent this year (behind Focus’ Coraline and Searchlight’s own Notorious), Trannys 2 will hit $400m by this time next week, Harry Potter 6 could hit $300m by the end of next weekend’s 4 days and if not, will get there by the weekend after.