MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

The Weekend Report: August 9, 2009

Weekend Estimates: August 7-9, 2009

Title Distributor Gross (averag % change Theater Cume
G.I. Joe: Rise of Cobra Par 56.6 (14,120) 4007 56.6
Julie & Julia Sony 19.6 (8,320) 2354 19.6
G-Force BV 9.7 (2,790) -45% 3482 86
Harry Potter and the Half-Blood Prince WB 8.9 (2,570) -51% 3455 273.8
Funny People Uni 7.8 (2,600) -65% 3008 40.4
The Ugly Truth Sony 6.6 (2,220) 2975 2975 68.7
A Perfect Getaway Uni 5.7 (2,620) 2159 5.7
Aliens in the Attic Fox 3.9 (1,260) -51% 3108 16.2
(500) Days of Summer Fox Searchlight 3.7 (4,490) 32% 817 12.3
The Orphan WB 3.7 (1,610) -51% 2270 34.8
The Hangover WB 3.4 (1,990) -35% 1690 262
Transformers: Revenge of the Fallen Par 3.0 (1,550) -36% 1948 393.7
The Proposal BV 2.8 (1,490) -44% 1870 151.6
Ice Age: Dawn of the Dinosaurs Fox 2.5 (1,440) -55% 1727 187.7
The Hurt Locker Summit 1.2 (2,320) -35% 535 9
The Collector FreeStyle 1.2 (960) -66% 1270 6.3
Public Enemies Uni 1.0 (1,060) -62% 906 95.5
Up BV .061 (1,410) -48% 431 287.4
Night at the Museum 2 Fox .44 (1,340) -21% 329 174.8
Du Pere en flic Alliance .42 (4,560 -28% 92 7
Weekend Total ($500,000+ Films) $141.90
% Change (Last Year) 23%
% Change (Last Week) 15%
Also debuting/expanding
Paper Heart Overture .20 (5,330) 38 0.2
In the Loop IFC .18 (3,680) -37% 50 0.87
The Cove Roadside Attract. .16 (2,724) 174% 58 0.24
Adam Searchlight .10 (5,060) 49% 20 0.24
Cold Souls IDP 81,300 (11,610) 7 0.08
Thirst Focus 52,600 (6,580) -6% 8 0.14
Bliss First Run 6,150 (6,150) 1 0.01
Beeswax Cinema Guild 5,750 (5,750) 1 0.01
I Sell the Dead IFC 4,100 (4,100) 1 0.01

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Klady

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“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray