MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

The Weekend Report: August 9, 2009

Weekend Estimates: August 7-9, 2009

Title Distributor Gross (averag % change Theater Cume
G.I. Joe: Rise of Cobra Par 56.6 (14,120) 4007 56.6
Julie & Julia Sony 19.6 (8,320) 2354 19.6
G-Force BV 9.7 (2,790) -45% 3482 86
Harry Potter and the Half-Blood Prince WB 8.9 (2,570) -51% 3455 273.8
Funny People Uni 7.8 (2,600) -65% 3008 40.4
The Ugly Truth Sony 6.6 (2,220) 2975 2975 68.7
A Perfect Getaway Uni 5.7 (2,620) 2159 5.7
Aliens in the Attic Fox 3.9 (1,260) -51% 3108 16.2
(500) Days of Summer Fox Searchlight 3.7 (4,490) 32% 817 12.3
The Orphan WB 3.7 (1,610) -51% 2270 34.8
The Hangover WB 3.4 (1,990) -35% 1690 262
Transformers: Revenge of the Fallen Par 3.0 (1,550) -36% 1948 393.7
The Proposal BV 2.8 (1,490) -44% 1870 151.6
Ice Age: Dawn of the Dinosaurs Fox 2.5 (1,440) -55% 1727 187.7
The Hurt Locker Summit 1.2 (2,320) -35% 535 9
The Collector FreeStyle 1.2 (960) -66% 1270 6.3
Public Enemies Uni 1.0 (1,060) -62% 906 95.5
Up BV .061 (1,410) -48% 431 287.4
Night at the Museum 2 Fox .44 (1,340) -21% 329 174.8
Du Pere en flic Alliance .42 (4,560 -28% 92 7
Weekend Total ($500,000+ Films) $141.90
% Change (Last Year) 23%
% Change (Last Week) 15%
Also debuting/expanding
Paper Heart Overture .20 (5,330) 38 0.2
In the Loop IFC .18 (3,680) -37% 50 0.87
The Cove Roadside Attract. .16 (2,724) 174% 58 0.24
Adam Searchlight .10 (5,060) 49% 20 0.24
Cold Souls IDP 81,300 (11,610) 7 0.08
Thirst Focus 52,600 (6,580) -6% 8 0.14
Bliss First Run 6,150 (6,150) 1 0.01
Beeswax Cinema Guild 5,750 (5,750) 1 0.01
I Sell the Dead IFC 4,100 (4,100) 1 0.01

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Klady

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain