MCN Columnists
Leonard Klady

By Leonard Klady Klady@moviecitynews.com

The Weekend Report: August 9, 2009

Weekend Estimates: August 7-9, 2009

Title Distributor Gross (averag % change Theater Cume
G.I. Joe: Rise of Cobra Par 56.6 (14,120) 4007 56.6
Julie & Julia Sony 19.6 (8,320) 2354 19.6
G-Force BV 9.7 (2,790) -45% 3482 86
Harry Potter and the Half-Blood Prince WB 8.9 (2,570) -51% 3455 273.8
Funny People Uni 7.8 (2,600) -65% 3008 40.4
The Ugly Truth Sony 6.6 (2,220) 2975 2975 68.7
A Perfect Getaway Uni 5.7 (2,620) 2159 5.7
Aliens in the Attic Fox 3.9 (1,260) -51% 3108 16.2
(500) Days of Summer Fox Searchlight 3.7 (4,490) 32% 817 12.3
The Orphan WB 3.7 (1,610) -51% 2270 34.8
The Hangover WB 3.4 (1,990) -35% 1690 262
Transformers: Revenge of the Fallen Par 3.0 (1,550) -36% 1948 393.7
The Proposal BV 2.8 (1,490) -44% 1870 151.6
Ice Age: Dawn of the Dinosaurs Fox 2.5 (1,440) -55% 1727 187.7
The Hurt Locker Summit 1.2 (2,320) -35% 535 9
The Collector FreeStyle 1.2 (960) -66% 1270 6.3
Public Enemies Uni 1.0 (1,060) -62% 906 95.5
Up BV .061 (1,410) -48% 431 287.4
Night at the Museum 2 Fox .44 (1,340) -21% 329 174.8
Du Pere en flic Alliance .42 (4,560 -28% 92 7
Weekend Total ($500,000+ Films) $141.90
% Change (Last Year) 23%
% Change (Last Week) 15%
Also debuting/expanding
Paper Heart Overture .20 (5,330) 38 0.2
In the Loop IFC .18 (3,680) -37% 50 0.87
The Cove Roadside Attract. .16 (2,724) 174% 58 0.24
Adam Searchlight .10 (5,060) 49% 20 0.24
Cold Souls IDP 81,300 (11,610) 7 0.08
Thirst Focus 52,600 (6,580) -6% 8 0.14
Bliss First Run 6,150 (6,150) 1 0.01
Beeswax Cinema Guild 5,750 (5,750) 1 0.01
I Sell the Dead IFC 4,100 (4,100) 1 0.01

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Klady

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“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick