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Cannes: After Lucia (Despues de Lucia)
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DP/30: Romeo & Juliet In Yiddish, writer/director Eve Annenberg
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RT @jeremyrsaunders: Gatsby poster is very nice. Gatsby trailer is not very nice.
RT @TheMikeFiggis: #editday53.I think I am finished editing for the moment.Me and the film need a break from each other.Plus it seems to be working.Its a ....
RT @eug: HOLY MOTORS: imagine what might happen if Tim Burton were head of the jury this year. #Cannes
DP: I wonder what a shotgun blast does to a person's head RT @ExtAngel: worried that andrew dominik can't find his sense of childlike wonder
DP: @TheMcRaj PS I'll get Dominik back on LA. I leave tomorrow and they press tomorrow. Remember... Lee Daniels did 3 DP/30s for Precious
“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows
‘This grooming and styling thing? It’s fucking poodles. Human poodles. I feel sorry for a poodle because he’s a dog. You know, a dog is a fucking great creature. They would do anything for you. And the poodle gets a haircut. No one asks if the poodle wants his hair cut like that. Do they? They just fucking cut his hair like that. And he just walks around. And everyone is like, “Why is that poodle so snarky?” Fuck you. Style, I think, is panache. Who are you? What did you do today? And what are you worth to me? What do you have to offer the world? How did you spend your time today on this planet? How are you spending your time every second? What are you doing now? Are you alive, or are you somnambulant? If you are somnambulant, then you are a fucking prick. Style is your ability to be awake. But who the fuck am I to judge? I’m starting to get really arrogant.”
GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
“J.Lindeberg. Because I really love his suits.”
~ Stylin’ Tom Hardy

The hell?
Seeing this trailer helps me understand why Moneyball got shut down. Don’t get me wrong, this movie looks fantastic. But if Soderbergh was trying to make the same type movie, in a trickier genre, and on a higher budget, then yeah, I get why they cancelled it on him.
I’m sensing the impression that not only is this a difficult film to cut for a trailer, but that the cutters were just as baffled as us.
Surely there’s a happy compromise between Kubrick/Malick “once every 11 years” perfectionism and Soderbergh “four movies in twelve months, eh it’s good enough let’s move on” scattershot prolificism.
This looks to be sorely in need of Sasha Grey.
Though kudos to Damon for growing the “Supercuts number three clipper cut” out 1/4 of an inch for this role. Christ, dude, GROW YOUR FUCKING HAIR OUT IF YOU STILL HAVE IT.
Matt Damon’s hair is more boring than PBS.
I really like the look of this. Reminds me of Burn After Reading in its comedic style.
I think it looks hilarious. I laughed out loud quite often. A much funnier trailer than the one for Couples Retreat. Great supporting cast too.
Funny how we were just talking about bad music cues in that other thread…Eurythmics? Really? Yikes.
That does look fun though. They only thing I love more than shady, assholey, unlikable lead characters is total morons.
I love it, if only for the somewhat off the beaten path casting choices. It’s been ages since Scott Bakula had a decent role, and it’s nice to see Thomas F. Wilson getting a supporting gig in a movie like this (I met him at a Back to the Future Q&A a few years back, he’s an awfully entertaining, warm, and funny guy). Best of all, Soderbergh has apparently cast voice-over legend Frank Welker (Dr. Claw, Abu, Megatron) in what I think is his first live-action acting job of his career (the man has 559 credits, and I’m pretty sure every other one is a voice over gig).
Huh, looks sort of like THE INSIDER played for laughs. I’m still on the fence in terms of actually seeing this, but it looks a lot less drippy than I thought it’d be. I do wish they didn’t have that exclamation point, because it makes me think of the worst title ever, LOVE! VALOUR! COMPASSION!
By the way, Sony’s Amy Pascal finally speaks out about ‘Moneyball’.
http://latimesblogs.latimes.com/the_big_picture/2009/06/sonys-amy-pascal-speaks-out-about-moneyball.html
Baded on the article, it looks like Amy Pascal made a very smart decision.
Tom Wilson was great on FREAKS AND GEEKS.
I like the exclamation point, especially after seeing the trailer. It ties into how dumb and overly forthright the Matt Damon character is. As in: “I’m the INFORMER!”
Scott: Tom Wilson is indeed about as engaging a guy as you could meet (I got to hang with him backstage a Sci-Fi convention back when I was a researcher for an animation company — I think he was there for Wing Commander — we were at the same table, and he regaled us with fun stories, none of which I remember).
Christian: I agree he was wonderful in Freaks and Geeks. That character could’ve been a complete cliche, but Wilson and the F&G writers made him real.
The thing that struck me most was Damon’s mustache. With his glasses and added woof to his hair, he looks like the connecting cousin of Geraldo Rivera and Paul Schrader.
The Schrader glasses make him look smart, but the Geraldo mustache allows him to play the idiot.
I really do live for this type of film. Once the air grows cold, and my coat is removed from the hanger. Oh yeah… SCOTT MOTHERFUCKING BAKULA GETTING SOME LOVE! BOOYAKASHA!
Can they go all two hours without a “message,” though?
I’m like Elaine Benes, I can never have too many !s