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Review-ish: Star Trek: Into Darkness (spoiler-free)
DP/30: Erased, actor Aaron Eckhart
Cannes Day 2: Girls Just Wanna Have… (Part 2 of 2)
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RT @JoeLeydon: Sometimes late at night, I wonder about all those indie movies (some quite good) that completely disappeared after I saw the…
RT @amysohn: This Marc maron interview with noah baumbach is a great primer on the evolution and frustrations of an artist.
RT @IndieFocus: The doc MANSON is disturbing enough, but the Q&A tonight @cinefamily went someplace else, w/ a row of passionate Manson, er…
DP: @TedHope 2 studio heads have been fired over blockbuster trouble in last 4 years. 2 more fired for other reasons. Not new phenomenon
DP: @TedHope You know, Ted, congrats on getting more mentions, but the piece you keep linking is years late and often misleading.
“One of the things I wish I could do in my life would be to watch this film through somebody else’s eyes. I just can’t. I still see it as just a giant mess, and other people are seeing that it has a shape. That’s really exciting, because I still have a hard time seeing it clearly.”
~ Sarah Polley’s Greatest Wish About Stories We Tell
“Anyway, Hitchcock eventually saw a rough cut of High Anxiety. He enjoyed it. But he said nothing after it. He just left. I [thought he] wasn’t happy. The next day, about 11 o’clock in the morning, I get this enormous, beautiful case of Chateau Haut-Brion 1961. That was almost 20 years old [at the time]. I mean, it was priceless. And there were magnums six of them, in a wooden case. Haut-Brion. I mean, oh my God. I’ve still got three of them left waiting. I keep all the good wines.”
What kind of occasion is worthy? When will you know it’s time to go into number four?
“A real, real occasion. I won’t drink it just because it’s a family occasion. I’ll drink it with guys that know what a good wine is and care about, you know, exquisite wines. I have a couple of friends that know what a good wine is.”
~ Mel Brooks, Foodie

The hell?
Seeing this trailer helps me understand why Moneyball got shut down. Don’t get me wrong, this movie looks fantastic. But if Soderbergh was trying to make the same type movie, in a trickier genre, and on a higher budget, then yeah, I get why they cancelled it on him.
I’m sensing the impression that not only is this a difficult film to cut for a trailer, but that the cutters were just as baffled as us.
Surely there’s a happy compromise between Kubrick/Malick “once every 11 years” perfectionism and Soderbergh “four movies in twelve months, eh it’s good enough let’s move on” scattershot prolificism.
This looks to be sorely in need of Sasha Grey.
Though kudos to Damon for growing the “Supercuts number three clipper cut” out 1/4 of an inch for this role. Christ, dude, GROW YOUR FUCKING HAIR OUT IF YOU STILL HAVE IT.
Matt Damon’s hair is more boring than PBS.
I really like the look of this. Reminds me of Burn After Reading in its comedic style.
I think it looks hilarious. I laughed out loud quite often. A much funnier trailer than the one for Couples Retreat. Great supporting cast too.
Funny how we were just talking about bad music cues in that other thread…Eurythmics? Really? Yikes.
That does look fun though. They only thing I love more than shady, assholey, unlikable lead characters is total morons.
I love it, if only for the somewhat off the beaten path casting choices. It’s been ages since Scott Bakula had a decent role, and it’s nice to see Thomas F. Wilson getting a supporting gig in a movie like this (I met him at a Back to the Future Q&A a few years back, he’s an awfully entertaining, warm, and funny guy). Best of all, Soderbergh has apparently cast voice-over legend Frank Welker (Dr. Claw, Abu, Megatron) in what I think is his first live-action acting job of his career (the man has 559 credits, and I’m pretty sure every other one is a voice over gig).
Huh, looks sort of like THE INSIDER played for laughs. I’m still on the fence in terms of actually seeing this, but it looks a lot less drippy than I thought it’d be. I do wish they didn’t have that exclamation point, because it makes me think of the worst title ever, LOVE! VALOUR! COMPASSION!
By the way, Sony’s Amy Pascal finally speaks out about ‘Moneyball’.
http://latimesblogs.latimes.com/the_big_picture/2009/06/sonys-amy-pascal-speaks-out-about-moneyball.html
Baded on the article, it looks like Amy Pascal made a very smart decision.
Tom Wilson was great on FREAKS AND GEEKS.
I like the exclamation point, especially after seeing the trailer. It ties into how dumb and overly forthright the Matt Damon character is. As in: “I’m the INFORMER!”
Scott: Tom Wilson is indeed about as engaging a guy as you could meet (I got to hang with him backstage a Sci-Fi convention back when I was a researcher for an animation company — I think he was there for Wing Commander — we were at the same table, and he regaled us with fun stories, none of which I remember).
Christian: I agree he was wonderful in Freaks and Geeks. That character could’ve been a complete cliche, but Wilson and the F&G writers made him real.
The thing that struck me most was Damon’s mustache. With his glasses and added woof to his hair, he looks like the connecting cousin of Geraldo Rivera and Paul Schrader.
The Schrader glasses make him look smart, but the Geraldo mustache allows him to play the idiot.
I really do live for this type of film. Once the air grows cold, and my coat is removed from the hanger. Oh yeah… SCOTT MOTHERFUCKING BAKULA GETTING SOME LOVE! BOOYAKASHA!
Can they go all two hours without a “message,” though?
I’m like Elaine Benes, I can never have too many !s