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Ray Pride

By Ray Pride Pride@moviecitynews.com

Getting to Toronto (and Hot Docs) in a hop, skip and jump

Toronto’s not a frustrating city, but getting there can be: from Chicago’s O’Hare to Pearson International to the city proper is a complication of aggravations. Pearson International has some lovely spaces, but it’s huge, takes a lot of time to traverse and customs lines are long. Then there’s the $C50 or so taxi ride into the city center if you’re in a hurry, or a cheaper shuttle service that’s also at the whims of traffic, almost Los Angeles-thick, taking an hour or more. After a weekend that almost canceled my trip to Hot Docs, it was gratifying to have one of the simplest trips of my life. Porter Air serves several cities in Canada and the U.S., flying 70-seat turboprop Bombardier aircraft, including Chicago. Their flights land at Toronto City Centre airport, on Toronto Island in the shadow of the CN Tower at the foot of Bathurst Street. I started with a 40-minute bus ride from my front door in Chicago and a 15-minute Orange Line train to get to Midway. Everyone had checked in early, so the flight took off something like 15 minutes early. Early! And arrived at YTZ half-an-hour early. (New planes, attentive service, lovely in-flight magazine from the same people who publish Monocle magazine. [current issue pdf]) Luggage? Five minutes. Customs? One attendant for one plane landing. Another five minutes. One of the world’s shortest ferry rides, 120 meters, and a shuttle into the business district. A sunny afternoon, and I’m ready for a 10 minute walk to my accommodations before getting my Hot Docs credentials. It’s been a long time since I’ve been cheerful after getting off an airplane. I’m ready for some nonfiction… [I mention this partly because Porter also flies between New York and Toronto… a hint for any New Yorkers heading to Toronto International in September.]

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch