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Douglas Pratt

By Douglas Pratt


Most reminiscent of (and more satisfying than) Good Night and Good Luck, Ron Howard’s 2008 docudrama, Frost/Nixon, from Universal, is about a television news personality who rises to the occasion and achieves a journalistic milestone when tasked with interviewing an emotionally enfortressed politician. Yes, the imitative but psychologically thorough performances by the two stars- Michael Sheen as David Frost and Frank Langella asRichard Nixon – are admirable, and the step-by-step process in which Frost bungles his way up to and through most of the interview until he realizes he has to get his act together, and does, is entertaining in the same way that those sports movies about teams that unexpectedly win title games are entertaining, but what is most satisfying about the film is that it gets all of the small details right, so that you wholly believe that the atmosphere of each scene is what it was like in real life. The film is primarily made of conversations, and so viewers with a predilection for action movies are not going to be interested in it, and even the dramatic excitement of Sheen’s character finally rising to the occasion is at best a modest thrill, but the 123-minute film is the kind of valid history lesson that you can only get from the movies, a clearly well-researched and carefully executed re-creation of a significant event that lets you get a genuine feel for what the times were like and how the people represented by the characters and the cast actually lived, maneuvered and felt about the events they were involved with, a dimension that a documentary or shared memories of the event itself cannot come close to duplicating.

The picture is presented in letterboxed format only, with an aspect ratio of about 2.35:1 and an accommodation for enhanced 16:9 playback. The color transfer is fine. The 5.1-channel Dolby Digital sound is not showy, but it has a functional dimensionality. There are alternate French and Spanish audio tracks in 5.1 Dolby and optional English, French and Spanish subtitles. What DVDs can do better than movies is to provide a greater context for the primary program, and the special features on Frost/Nixon are excellent in this regard. Firstly, there are 22 minutes of deleted scenes that would unquestionably have slowed down the drama too much, but are for the most part marvelous, giving Langella, in particular, more chances to work his magic on the screen. The original, complete interviews are available elsewhere on DVD, but there is a tantalizing 7-minute piece about them that includes a few excerpts presented in comparison to the film’s renditions of the same exchanges. There is also a thorough 23-minute production featurette and a surprisingly touching 6-minute piece about the Nixon presidential library. Finally, Howard supplies an informative commentary track. Howard tends to approach his commentaries the way he approaches many of his films. He is so overly prepared that even when he is clearly improvising, imitating someone else’s laugh or other noises, it still sounds scripted. But the content of his talk is worth it. Not only does he describe the history of the production, he conveys the drama of its challenges and successes. He also explains the logic behind big choices and small choices, and conveys vivid pictures of the many personalities involved with the film, not only those behind the screen and in front of the screen, but those represented by the screen.

– by Douglas Pratt

Douglas Pratt’s DVD-Laser Disc Newsletter is published monthly.
For a free sample, call (516)594-9304 or go to his website at

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“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.


One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump