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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

AFI Dallas: The Burning Plain

Last night at AFI Dallas we caught the Centerpiece screening of Guillermo Arriaga’s The Burning Plain, starring Charlize Theron. I first saw this film at Toronto, where I was a little lukewarm on the pacing of film, but liked the structure of the plot overall and the performances. I wrote back then that I wanted to see the film a second time, and this is the first chance I’ve had to catch it.
While I don’t believe the film has undergone any editing changes since I saw it last September, I did like it considerably more this time around, though I’m not sure if that’s because I was overly tired and festival-grumpy the first time I saw it, or because I already knew what was going to happen and was therefore able to focus more on the subtleties of the writing and the performances. Oh, and the cinematography by Robert Elswit (There Will Be Blood, Michael Clayton), who shot the Mexico sequences, and John Toll (Gone Baby Gone, Vanilla Sky) who shot in Portland, is completely stunning.
I thought the performances were strong the first time I saw The Burning Plain and now, after seeing it a second time, I’m even more impressed by both Charlize Theron and Kim Basinger. Theron never overplays her part; her eyes are haunted, vacant; her face is a carefully constructed blank slate, but there’s so much constrained emotion playing under the surface in every scene. She’s really a remarkable talent, and this is exactly the kind of role she shines in. As for Basinger, this is her best performance in years; she’s rock solid as the housewife whose affair spins the events of the story.
The storyline revolves around a convoluted plot structure in which Arriaga reveals only bits and pieces at a time before finally tying it all together in the third act. The first time I saw this film, it took me awhile to figure out how it all fit together, but on a second viewing it was more obvious to me early on where the reveals were. I’m sure there are plenty of people who figured things out much sooner than I did on a first viewing, but hey, it was Toronto, I was tired, and it truly did take me a while to figure out where the whole thing was going.
Arriaga is a brilliant writer, one of the best, and this is a solid directorial effort with some minor flaws here and there that don’t, overall, detract from the power of the film. Magnolia will release the film in September.

One Response to “AFI Dallas: The Burning Plain”

  1. bunnybeth says:

    This one is on my list to see at the movies (matinee, of course).

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