
By David Poland poland@moviecitynews.com
Trying A Tweet Poll – Watchmen

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RT @jeremyrsaunders: Gatsby poster is very nice. Gatsby trailer is not very nice.
RT @TheMikeFiggis: #editday53.I think I am finished editing for the moment.Me and the film need a break from each other.Plus it seems to be working.Its a ....
RT @eug: HOLY MOTORS: imagine what might happen if Tim Burton were head of the jury this year. #Cannes
DP: I wonder what a shotgun blast does to a person's head RT @ExtAngel: worried that andrew dominik can't find his sense of childlike wonder
DP: @TheMcRaj PS I'll get Dominik back on LA. I leave tomorrow and they press tomorrow. Remember... Lee Daniels did 3 DP/30s for Precious
“Just got back from Dark Shadows at the Lincoln Square IMAX (102′ wide screen, over 50 sears per row). I loved almost every second of it. What a shock. I can see why people under 49 hate it, and it’s not just because of its ’60s TV roots–it’s a very traditional, classic-style horror film: leisurely-paced, character-driven, beautifully designed (mostly real sets, not CGI), music used as a humorous or ironic underline, not particularly violent (there’s more blood in the 1970 version), perfectly cast with superb actors, and of course a nice sense of humor to balance the horror. No jump scenes, no teens sliced to pieces by some mask-wearing non-entity, just good old-fashioned story-telling. It’s more like Hugo than Hostel, and not just because it shares cast members and underperformed. And as for the much-derided third act: the complaints are horseshit. Everything that takes place in the climax is logically built up to in what precedes it. Yes, the werewolf is a surprise, but it shouldn’t be given the family history and that character’s behavior, and the explanation is eminently reasonable. In an era where Bridesmaids is considered award-worthy writing, it’s no surprise that many people have forgotten what a well-made script can be like. So fuck all the haters. Dark Shadows lived up to my expectations (no small feat), and should be seen by everyone who still appreciates quality, grown-up, Old Hollywood-style filmmaking. Cadavra has spoken.”
~ Cadavra on Dark Shadows
‘This grooming and styling thing? It’s fucking poodles. Human poodles. I feel sorry for a poodle because he’s a dog. You know, a dog is a fucking great creature. They would do anything for you. And the poodle gets a haircut. No one asks if the poodle wants his hair cut like that. Do they? They just fucking cut his hair like that. And he just walks around. And everyone is like, “Why is that poodle so snarky?” Fuck you. Style, I think, is panache. Who are you? What did you do today? And what are you worth to me? What do you have to offer the world? How did you spend your time today on this planet? How are you spending your time every second? What are you doing now? Are you alive, or are you somnambulant? If you are somnambulant, then you are a fucking prick. Style is your ability to be awake. But who the fuck am I to judge? I’m starting to get really arrogant.”
GQ: Whose tuxedo did you wear on the red carpet here in Cannes?
“J.Lindeberg. Because I really love his suits.”
~ Stylin’ Tom Hardy

Uh, I’d rather go with $70/$250.
Nevermind. I’m a moron. Didn’t see “worldwide.”
I think there are a lot of alternative answers, Kris… but mostly did this one to experiment… learning new tricks
Too low.
It’s going to do 50 and 150 for a total of 200.
It’s going to do 80, but overseas is a toss up. It really does depend on what the material means to Japan and England. If they are as into as the US. It could do 300. Do not under sell it. It may surprise you.
david poland, you left the ‘who gives a rat’s ass’ box of the list
that would be ‘off’ the list, so sue me, i been drinkin
Not enough options. My guess is around 70/ 180.
IOI, you’re nuts if you think this movie is doing Dark Knight business.
Never underestimate an Event Picture, especially when that picture is something audiences have never seen before. A $70m opening is doubtful due to the length and rating but only $450m worldwide? Conservative, very conservative.
Never underestimate an Event Picture, especially when that picture is something audiences have never seen before. A $70m opening is doubtful due to the length and rating but only $450m worldwide? Conservative, very conservative.
Well, it was almost worth saying thrice; sorry about that. Love that TypeKey, right?
70 domestic. I’d say more, but the entertainment/leisure market is getting softer by the month. If it breaks 80, then the old “Depression = Box Office” is alive and kicking. Personally, I think their are too many free options for that to be a given, but maybe Dave’s “escape to the theater” theory is right.
Worldwide will be much lower than anticipated because half the globe is on economic fire, if no one here has noticed.
U.S. stocks fell to the lowest level since 1997 and European stocks slipped toward six-year lows registered earlier this week, while economic data showed economies faltering from Japan to Sweden.
Japanese factory output fell a record 10 percent in January, dragging down the number of new jobs on offer as Japan’s recession appeared to be deepening.
India’s economy slowed more than expected from October to December, while fourth-quarter data from the Nordic region showed the Danish and Swedish economies contracting at record paces and Finland entering recession.
The South Korean won fell to an 11-year low against the dollar as analysts said risk aversion fed by the fragility of global financial system would impede any recovery.
Japan is a savings-based culture, unlike the west. They’ll drop expensive entertainment, (which movies are in Japan), in favor of online since the whole country is broadband and wifi. As for South Korea, I’m not sure how US theatrical does, but the secondary market is literally gone.
It’s North America, parts of Europe and Australia. IO’s right that book nostalgia is going to be important.
FWIW, I think WB is going to regret not splitting Snyder’s full cut into two movies with March and June releases.
I think 300 business is the ceiling, here – probably about a $75 million opening (Warners has left no stone unturned for marketing this thing), FAST fade to about $180 million domestic, and good appeal overseas – about $400 million worldwide.
The bigget hit of the spring will still be Monsters Vs. Aliens, which MIGHT do $200 million.
Since this was just a test I think it would be helpful to leave the poll results hidden until after people vote. History has shown that people will always tend to be swayed to vote for the winning choice and you wouldn’t want to influence your results, right?
What leahnz said.
Waiddaminute. MONSTERS VS. ALIENS opens 3/27 in IMAX? Do they really think WATCHMEN’s legs will be so wobbly that it’ll get pulled from those screens after only three weeks?
Use the old name. You get a new nickname. Jeff’s new nick is P0WND! It’s also not crazy P0WND! It’s not. It really is not crazy, but when have I ever been right about genre box-office before? It will do 80. Even if it does not make 80. They will state it does 80.
Oh yeah: do not undersell it doing something really big and stupid next weekend. This is the turn many people have wanted all through out the Winter, and it’s finally here. Please do not act if the people really will care about IKFP next week, when all there will be next week are the Watchmen.