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Ray Pride

By Ray Pride

Presenting Slumdog: the cowboys and the campfire

campfire-a27.jpgI’ve obviously not read every stitch of Oscar hemming and hawing out there, but I was struck by at least one sly detail I haven’t seen remarked upon: having Steven Spielberg, whose DreamWorks is now partnered with Indian money, present the Best Picture, a category the winner of which was expected by almost everyone to be… Slumdog Millionaire. A tacit signal to the world that the movies as we know need the world to survive. Not just their money. The Australian director Bill Bennett says it’s the same as the tale of the cowboys and the campfire. Every so often, an influx of talent or inspirations needs to come from far away, from over the horizon, just like cowboys around the campfire expected strangers to stop and tell tales they hadn’t heard, the news they didn’t know yet.

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What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris