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Ray Pride

By Ray Pride Pride@moviecitynews.com

[OnePiece] Mark Rance on restoring The Whole Shootin' Match digitally

Most people don’t realize how fragile film history is, and it’s not about the third DVD in a row arriving in two pieces from Netflix. When I was a kid, Eagle Pennell’s 1978 The Whole Shootin’ Match (released in New York in 1979), made for around $30,000, was written up in all the film magazines that I read to read about the films that would never have come to my part of Kentucky. This slacker avant le lettre Austin fable was obscure then (even with a Vincent Canby notice) and would remain obscure to this day if not for the discovery of a mint print of the shot-on-16mm black-and-white film, and the digital restoration of its gamy glories by veteran DVD producer Mark Rance, who’s just launched his Watchmaker Films DVD label with a pleasing three-disc set devoted to the feature, its music, and a new documentary on Pennell’s slow, if spirited, dive into failure.

[MARK RANCE TALKS ABOUT THE WEALTH OF POST-1970 CINEMA THAT’S IN BASEMENTS, NOT IN ARCHIVES, AWAITING PRESERVATION.]
The DVD booket is rich with background, including bits from Austin’s legendary journalist Louis Black. Paul Cullum, an Austin peer, writes that “the man belonged in the Alcohol of Fame; he put pop alcoholics like us to shame.” Cullum got confirmation that this quote from Robert Redford was indeed about the troubled Pennell: “I thought a real service to the industry would be to provide a guy like that with a place to train, a place to go where he could develop his skills. It would shortcut a lot of the problems he was going to be facing.” Voila: Sundance.
But voila aussi: The Whole Shootin’ Match, which also inspired the similarly shaggy but much more prolific filmic ambitions of another Austin cineaste, Richard Linklater. This rambling, profane charmer of a film is still an inspiration, and it’s terrific that it’s out for a new generation of potential regional filmmakers to admire. (And a Texas-size cautionary tale to boot.) [Interview shot at Chicago’s Siskel Film Center.]

[RANCE TALKS ABOUT RESOLUTION DRIVING THE NEXT GENERATION OF RESTORATION.]
[Below, Rance describes “frame-based” restoration.]




[RANCE TALKS ABOUT “FRAME-BASED RESTORATION.]

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