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Ray Pride

By Ray Pride Pride@moviecitynews.com

If Michel Gondry were to eat with his feet…

rubiks-salt-pepper-mills-3.jpgAnd for only $17.50: “Offically licensed by Rubik’s, these Salt and Pepper mills have been produced as a tribute to the world’s most addictive – and some would say annoying, puzzle. The iconic 80’s gadget is brought to life here as a kitchen condiment dispenser!Each cube is exactly the same size as an authentic Rubik’s Cube – 2.24 inches cubed! Sit the mills down next to the real thing and you won’t be able to tell between them – only difference with these cubes is you can’t play them! The Rubik’s Cube mills are built around a durable ceramic mill that grinds various courseness salt & peppercorns. And so only the top layer of the cube rotates to operate the mill and grind the salt & pepper. The salt mill has a white top and the pepper mill has a red top so you can easily tell the difference between the two cubes.”

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima