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MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

20 Weeks to Oscar: 2 Weeks To Go, Who Let The Dogs In?

Ladies & Gentlemen… children of all ages… seven Oscar nominees who really didn’t go into this season expecting to be attending the Academy Awards…

Viola Davis.
Courtney Hunt.
Richard Jenkins.
Scott Hamilton Kennedy.
Melissa Leo.
Martin McDonagh.
Michael Shannon.

All deserving.

All appreciating.

With nothing much to write about, no major upsets being seriously considered by anyone who knows much, and Michael Cieply at the NY Times apparently intent in reducing the paper of record to the Paper of Gossip before Nikki Finke can get her fangs into show night spoilers, this is where we really should be focusing.

I think we can say with 85% certainty that none of these Luck-Feeling (and Deserving) Seven are going to take home an Oscar of their own this year and 98% certainty that no more than one might score an upset. But that’s not the point.

Oscar is a celebration of the cinematic form. It is, in reality, a horse race. But like watching the Kentucky Derby each year, the beauty of that massive beast running at full speed, muscles flexing, rhythmically pushing forward… forward, it is more beautiful than all the odds-making, pre-game show, mint-julip-drinking, big hat-wearing, wealth-flaunting junk that makes it feel like a Calcutta whorehouse with the best landscaping ever.

Which performing monkeys will stop these seven on the red carpet on that Sunday night? And how quickly will their interview end if Angelina Jolie is willing to say, “Hello, I’m Angie,” for a second of shoulder-bearing airtime?

It’s not to say that Angie doesn’t matter. Or that these nominees are more deserving of love or attention than any other. But do you remember how exciting Ellen Page, Casey Affleck, Amy Ryan, and Tamara Jenkins, among others, were last year? Ryan Gosling, Penelope Cruz, Jackie Earle Haley, and Michael Arndt a couple of years ago? Terrence Howard, Rachel Weisz, Amy Adams, Bennett Miller, and Josh Olsen before that?

A couple of these folks are nominated again this year. Some are working towards their next big moments. One had a small role in one of last year’s big comic book movies while another is the central character in this year’s coming comic book sensation and another has written Toy Story 3, next year’s mega-Pixar film. A couple are moody and trying to figure out what they really want from this industry. And a few have found quiet opportunities involving television to keep paying their bills as they hold out for top notch work.

These people are the industry’s future.

Not every underdog is going to become a pillar of the industry. Of course. But these are the hungry people who, while getting the highest honor in the business, are still ready to bring themselves to the work with the best intentions and the hope of even higher highs.

I know… people want pretty pictures. And Michael Shannon is not as good an interview as George Clooney. But we should celebrate him and the others all the more for their lack of artifice… not because they are “above it,” but because they are artists reaching for more in this game.

Give Viola Davis that charming role.

Get Melissa Leo in that spaceship that’s going to save the world.

Talk Martin McDonagh into writing Ocean’s 14.

Figure out how the Coens will get Shannon into a leading role.

Let Courtney Hunt make a thriller for Sony.

Give Scott Hamilton Kennedy the money for his next doc, HBO.

And let Richard Jenkins just keep working… he was doing really well before this (and deserved a nom for North Country) and should keep doing the fine work he does. May all great character actors someday find their Tom McCarthy (who also brought us Peter Dinklage, who still works in unexpectedly complex and strongly written roles all the time).

Yeah… I am looking forward to Meryl and Downey being funny, to Danny Boyle being gracious, to the moment when Kate Winslet either gets her long-deserved Oscar or waits until next time (Paul Newman isn’t such a bad landmark to emulate, Kate), to seeing how they handle Heath’s win, and surely to a surprise or two.

But my heart will be with these underdogs… and some others who will lose… and some who will win… my heart will be with the passion of it all… even the passions of those behind the scenes of this year’s show.

It hasn’t been one of the great years at the cinema, but there is never a bad time to celebrate great work, whether it wins or loses a statue. The drama that matters most is the drama that will last with us for years and years to come.

- David Poland
February 5, 2009

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“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

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