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By Ray Pride Pride@moviecitynews.com

The Slumdog statements

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FILMMAKERS STATEMENT: From the moment that we hired them and long before the press became interested in this story, we have paid painstaking and considered attention to how Azhar and Rubina’s involvement in the film could be of lasting benefit to them over and above the payment they received for their work. The children had never attended school, and in consultation with their parents we agreed that this would be our priority. Since June 2008 and at our expense, both kids have been attending school and they are flourishing under the tutelage of their dedicated and committed teachers. Financial resources have been made available for their education until they are 18. We were delighted to see them progressing well when we visited their school and met with their teachers last week. In addition to their educational requirements, a fund is in place to meet their basic living costs, health care and any other emergencies. Furthermore, as an incentive for them to continue to attend school a substantial lump sum will be released to each child when they complete their studies. Taking into account all of the children’s circumstances we believe that this is the right course of action. Since putting in place these arrangements more than 12 months ago we have never sought to publicize them, and we are doing so now only in response to the questions raised recently in the press. We trust that the matter can now be put to bed, and we would request that the media respect the children’s privacy at this formative time in their lives. —Danny Boyle and Christian Colson

DISTRIBUTOR STATEMENT: The welfare of Azhar and Rubina has always been a top priority for everyone involved with Slumdog Millionaire. A plan has been in place for over 12 months to ensure that their experience working on Slumdog Millionaire would be of long term benefit. For 30 days work, the children were paid three times the average local annual adult salary. Last year after completing filming, they were enrolled in school for the first time and a fund was established for their future welfare, which they will receive if they are still in school when they turn 18. Due to the exposure and potential jeopardy created by the unwarranted press attention, we are looking into additional measures to protect Azhar and Rubina and their families. We are extremely proud of this film, and proud of the way our child actors have been treated. —Fox Searchlight Pictures, Fox Star Studios, Pathe International

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A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver