By Gregg Goldstein gcgoldstein@yahoo.com

Sundance Sales Chart Day Two

by Gregg Goldstein

Film Section Sales
Co
Odds Pros Cons First
Screening
Today’s Top Five
Brooklyn’s Finest Prem WM/
CAA
2:1 Gere, Cheadle, Hawke, Snipes, Barkin and “Training Day” director doing what they’ve done best: cop drama With all these surefire elements, why does it need a Sundance rampup to sell? 1/16, 6:15p. Eccles
I Love You Phillip Morris Prem CAA/
End
2:1 A Carrey/McGregor prison romance from writers of “Bad Santa” First-time helmers tackle subject matter that could go very wrong in the wrong hands. 1/18, 9:30p, Eccles
Push: Based on the
novel by Sapphire
DrComp Cin 4:1 Audacious portrait of abused girl; vivid performances by Mo’Nique and wacky supporting cast (Mariah Carey, Sherry Shepherd, Lenny Kravitz) From the man who brought you “Shadowboxer”; could be too over the top 1/16, 8p, Racquet Club
Spread Prem CAA/
End
2:1 Gigolo satire from sexpert helmer of “Young Adam” How many good Ashton Kutcher or Anne Heche comedies can you name? 1/17, 9:15p, Eccles
The Winning Season Premieres Cin 4:1 Female “Bad News Bears” centering on high school basketball team, Emma Roberts, late add like top-seller “Hamlet 2″ Sam Rockwell films sell big at Sundance, but haven’t performed. James Strouse a Sundance fave … but not for comedy 1/19, 8:30p, Library
Other Narratives In Play
An Education World DrComp CAA 4:1 ’60s coming-of-age romance from scribe Nick Hornby with Sarsgaard, Molina, Thompson and a breakout Mulligan Subject matter too familiar and trite if not done right 1/18, 3p, Egyptian
Arlen Faber Dr Comp CAA/
ICM
4:1 Daniels, Graham, Pucci in romantic tale of reclusive author Might be too navel-gazing or quirky for its own good 1/18, 5:15p, Racquet Club
Cold Souls DrComp Cin 4:1 Giamatti, Strathairn, Watson, Ambrose in a unique “metaphysical tragi-comedy” Yes. A metaphysical tragi-comedy 1/17, 5:15p, Racquet Club
The Greatest DrComp End/
CAA
4:1 Tearjerker with Brosnan and Sarandon called “as fine a debut as we can present” Son dies in car accident, for those who didn’t get their fill in “Reservation Road” 1/17, 3:15p, Eccles
In The Loop Premieres Prot 4:1 James Gandolfini in satire of war and politics could be a sleeper hit Small, filled with unknown Brits and distinctly British humour 1/19, 11:15a, Yarrow
Motherhood Premieres End 4:1 Harried-mom comedy with Thurman, Edwards, Driver Urban anxiety can make for anxious audiences 1/21, 9:30p, Eccles
Paper Heart DrComp UTA 4:1 Two words: Michael Cera. Possibly offbeat hit Muted response to screener making rounds 1/17, 8p, Racquet Club
World’s Greatest Dad Spectrum CAA/
Cin
4:1 Robin Williams in another dark comedy from “Sleeping Dogs Lie” writer/director Bobcat Goldthwait Williams sometimes a selling point, sometimes a liability 1/18, 5:30p, Library
Big Fan DrComp Andr
Hur
5:1 Good buzz on sports fanatic spoof directed by “The Wrestler” scribe … … who also wrote “The Onion Movie.” Star Patton Oswalt an unproven commodity 1/18, 8p, Racquet Club
Brief Interviews with Hideous Men Dr Comp CAA 5:1 Hot star John Krasinski directing, starring and adapting from David Foster Wallace novel Adaptations are tricky, and not every sitcom star is Zach Braff. Slot after heated sales lineup weekend 1/19, 3:15p. Eccles
Endgame Prem End 5:1 Good cast (Hurt, Ejiofor) in South African apartheid thriller CNN currently chock full of other real-life political thrillers 1/18, 6:16p, Eccles
Five Minutes of Heaven World DrComp UTA 5:1 Liam Neeson, James Nesbitt and director of “Downfall” Violence in Northern Ireland. Good times. 1/19, 6:30p, Egyptian
Helen Spectrum Little 5:1 Ashley Judd sinks her teeth into bipolar role Mental illness, depression… Lifetime movie? 1/16, 8:45, Library
Humpday DrComp Sub 5:1 Straight best buds link for gay porn; getting great buzz Will need great buzz to overcome no stars, and a premise not for the squeamish 1/16, 12:15p, Eccles
The Killing Room Mid CAA 5:1 Psychological thriller with compelling premise and solid indie cast Possibly just a pretentious “Saw” 1/16, 11:30p, Prospector
Peter & Vandy DrComp End 5:1 Some good buzz behind Manhattan romance with Sundance “Teeth” award-winner Weixler Stage adaptations risk being stagey; Star Ritter must live down last year’s “Good Dick” 1/19, 8p, Racquet Club
Shrink Premieres WM 5:1 “In Treatment” has proven the appeal of therapy dramas Spacey’s star power has shrunk; Hollywood inside baseball? 1/18, 11:15a, Yarrow
Dare DrComp xCin 6:1 Sex-charged teen romance featuring Emmy Rossum Supporting cast (Gasteyer, Cumming, Bernhard) from many an indie stinker 1/19, 5:15p, Racquet Club
The Messenger Premieres UTA 7:1 Talented scribe Oren Moverman’s directing debut Another Iraq war drama; Ben Foster, Harrelson have spotty track records 1/19, 9:30p, Eccles
Amreeka Dr Comp WM 8:1 Sometimes humorous, very topical struggle of Palestinian mom on West Bank No stars, Iraq war backdrop … it better be great 1/17, 12:15p, Eccles
Black Dynamite Mid End 8:1 Blaxploitation satire with potential for cult following Too culty for its own good? 1/18, 11:30p, Library
The Missing Person Spectrum Visit 8:1 Contemporary film noir with welcome return of Amy Ryan and breakout star Michael Shannon Too arty for its own good? 1/16, 6p. Library
Manure Premieres v 10:1 Thornton, Leoni, McLachlan in what could be the Polish Bros’ Coen Bros moment with a ’60s period comedy Polish Bros artiness sometimes overwhelms all else 1/20, 9:30p, Eccles
Mary & Max Opening Night Icon 10:1 Quirky Aussie claymation from Oscar-winning director good enough to attract Hoffman and Collette Too quirky for many at the opening night screening, garnering mixed reactions 1/15, 6p, Eccles
Mystery Team Midnight Sub 10:1 Potential sleeper with foul-mouthed teens; could hit right chord… …or extremely wrong one. Online trailer looks iffy; no-name cast 1/17, 11:30p, Library
Toe To Toe DrComp WM 10:1 Complicated relationship between two female high school teammates; interracial issues a hot topic Virtually all unknown cast; tough sell 1/16, 3:15p, Eccles
The Vicious Kind Spectrum ICM 10:1 Tough portrait of emotionally damaged father See “Pros” 1/17, 8:30p, Library
Don’t Let Me Drown DrComp Loeb
Loeb
20:1 Latino high schoolers in post-9/11 romantic drama No stars, depressing premise 1/18, 12:15p, Eccles
Other Documentaries In Play
The Carter Midnight Cin 4:1 One of the hottest selling rappers in a hurting music biz, Lil’ Wayne Will the audience for this film go to the theater or wait for DVD? 1/17, Midnight Eccles
When You’re Strange Doc Comp Sub/
Cin
4:1 Indie vet Tom DiCillo unveils all-original footage of The Doors Video sales assured, but will it break on through to theatrical? 1/17, 9p, Temple
Good Hair Doc Comp ICM 5:1 If every black hair magazine reader buys a ticket to producer/star Chris Rock’s comic, celeb-filled take on the topic, it’s a hit. Interest in niche topic could be hair today, gone tomorrow 1/18, 9p, Temple
The September Issue Doc Comp CAA 5:1 Rare inside look at the alleged inspiration for “The Devil Wear’s Prada,” Vogue’s Anna Wintour Won’t be in vogue if it’s as cold as its subject 1/16, 6:30p, Rose Wagner
Why We Laugh: Black Comedians on Black Comedy Spectrum WM 5:1 Robert Townsend interviews a Who’s Who of top comedians. The next Kings of Comedy? Maybe be too long on analysis, too short on laughs 1/17, 5:30p, Prospector
Passing Strange Spectrum: Docu Spotlight End 6:1 Spike Lee filmed this unconventional, Tony-nominated musical, and both names will help sell the project Must prove worthy of life beyond PBS 1/16, 2:30p, Library
Reporter Doc Comp Films
Trans
6:1 A New York Times reporter’s valiant attempt to put an African crisis on the map speaks volumes about the state of journalism today Most political docs have had a tough boxoffice ride 1/16, 9:30p, Temple
We Live In Public Doc Comp Sub/
Cin
6:1 Stranger than fiction dot-com boom art experiment from Web entrepreneur Must rise above Discovery Channel audience interest to sell 1/19, 6p, Temple
The Cove Doc Comp Sub/
WM
8:1 Fascination with dolphins may propel sale of this dark tale Animal Planet shows wade in similar waters 1/18, 3p, Temple
No Impact Man Spectrum: Docu Spotlight Cin 8:1 Family undertakes controversial experiment to live a year with no carbon footprint; could tap “An Inconvenient Truth” audience Another inconvenient truth: many socially conscious docs have no theatrical impact 1/16, 11:30a, Library
Art & Copy Doc Comp Sub 10:1 Ad industry study getting good word of mouth Risks being too academic 1/16, 5:30p, Prospector
Big River Man World Doc Comp Salt 20:1 Slovenian man’s attempt at record swim could be Michael Phelps meets “Grizzly Man” Drowned by competition? 1/16, 3:15p, HV4

Comments are closed.

Quote Unquotesee all »

“The worst thing that we have in today’s movie culture is Rotten Tomatoes. It’s the destruction of our business. I have such respect and admiration for film criticism. When I was growing up film criticism was a real art. And there was intellect that went into that. And you would read Pauline’s Kael’s reviews, or some others, and that doesn’t exist anymore. Now it’s about a number. A compounded number of how many positives vs. negatives. Now it’s about, ‘What’s your Rotten Tomatoes score?’ And that’s sad, because the Rotten Tomatoes score was so low on Batman v Superman I think it put a cloud over a movie that was incredibly successful. People don’t realize what goes into making a movie like that. It’s mind-blowing. It’s just insane, it’s hurting the business, it’s getting people to not see a movie. In Middle America it’s, ‘Oh, it’s a low Rotten Tomatoes score so I’m not going to go see it because it must suck.’ But that number is an aggregate and one that nobody can figure out exactly what it means, and it’s not always correct. I’ve seen some great movies with really abysmal Rotten Tomatoes scores. What’s sad is film criticism has disappeared. It’s really sad.”
~ Brett Ratner Has A Sad

“The loss of a local newspaper critic is a real loss. People who know the local audience and know the local cultural scene are very important resources. You can’t just substitute the stuff that comes in from nowhere through syndication or the wire. I think at the same time, some of the newer outlets have really beefed up and improved their coverage and made room for criticism. The real problem is in the more specialized art forms — fine arts, classical music, dance and jazz, say. There is a real slowing of critical voices, partly because those art forms have smaller audiences. Newspapers and magazines can say that doesn’t get enough traffic, so we don’t have room for that. To me, that’s especially worrisome. This is the opposite of what newspapers are supposed to do, which is not to try to figure out what people are already interested in and recite that back to them, but to hopefully guide them to something that they should be interested in, connecting potential audiences with more interesting work.

“Then again, not everyone needs a critic. People have been going to movies for more than 100 years now, and probably the vast majority of those people have not read movie reviews or cared what critics thought. But there has always been an important subset that wants to know more, that wants to think about what they’ve seen and what they’re going to see, and wants someone to think along with. I think critics are important, not just as dispensers of consumer advice — though that’s certainly part of it, too — but as trusted voices and companions for people to argue with in your head when you’re going to movies or afterwards.”
~ A. O. Scott