By Gregg Goldstein gcgoldstein@yahoo.com

Short Take – I Love You Phillip Morris (views)

There’s nothing that can prepare you for I Love You Phillip Morris, a con-man, gay-romantic, prison-escape, sex-farce comedy-drama (based on an unbelievable true crime story… or was it?) which defies any expectations you bring to it.
First-time writer/directors Glenn Ficarra and John Requa are trying for something much more than the bitter satire of their great Bad Santa script. The subject is Steve Russell (Jim Carrey), a married cop who comes out of the closet and into a life of crime-fueled luxury, landing him in prison. There he falls in love at first sight with the shy, blonde title character (Ewan McGregor), but he’s just as in love with con artistry. The result is a series of dizzying twists and turns that would be a crime to spoil.

The film’s tone stays devoted to whatever Carrey’s character wants you to feel (well, most of the time), a dizzying experience that veers from comedy to drama to romance to suspense and many places in between. It’s a daring move to go from prison oral sex jokes to a completely serious, intense romantic scene between two men within minutes of each other. Both would work perfectly on their own terms if viewed as separate clips. Together the effect is disorienting, and surely will alienate even some open-minded viewers, but it’s key to the filmmakers’ audacious agenda.

Some will see lost opportunities for laughs (and rightly so, given the principals’ track records). But others could justifiably argue it would’ve erased some affecting poignancy in key scenes, rare in any romantic drama these days, let alone a gay one with movie stars.
It’s a testament to Carrey’s ability that fears of “can-he-tone-his-shtick-down” don’t haunt the viewer. He segues from characteristically goofy moves to earnest moments that don’t seem as maudlin as he’s been at times. McGregor is as good as ever, completely authentic. You totally buy the passion between them.

Morris cons its audience, but in a good way. We’re its victims, and the strength of its appeal will lie mainly in your ability to sit back, go along for the ride, let where it takes you affect you and not mind the manipulation.

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Fey: How are we going to proceed with any kind of dignity in an increasingly ugly world? And I actually was thinking — because I’ve got to write something for when I get the award — to use Sherry Lansing as an inspiration because she was a lady who worked in a very, very ugly business and always managed to be quite dignified. But in a world where the president makes fun of handicapped people and fat people, how do we proceed with dignity? I want to tell people, “If you do two things this year, watch Idiocracy by Mike Judge and read Leni Riefenstahl’s 800-page autobiography and then call it a year.”
Letterman: Wait a minute. Tell me about Leni Riefenstahl.
Fey: She grew up in Germany. She was in many ways a brilliant pioneer. She pioneered sports photography as we know it. She’s the one who had the idea to dig a trench next to the track for the Olympics and put a camera on a dolly. But she also rolled with the punches and said, “Well, he’s the führer. He’s my president. I’ll make films for him.” She did some terrible, terrible things. And I remember reading 20 years ago, thinking, “This is a real lesson, to be an artist who doesn’t roll with what your leader is doing just because he’s your leader.”
Letterman: My impression of this woman is that she was the sister of Satan.
Fey: She was in many ways. But what she claimed in the book was, “He was the president, so what was I supposed to do?” And I feel a lot of people are going to start rolling that way.
~ Tina Fey And David Letterman Are Anxious

“I love it! Shia’s crazy and he’s great. It’s a good combination for me. I don’t know if he’s going to jump up and attack me, or the camera, or the actor, and I kind of enjoy that. He brings something unexpected, all the time. A little frightening, a little grey, so I really enjoy that kind of madness. I think he takes this work very serious, really serious, and sometimes maybe that comes across arrogant or annoying, and I understand that. But it’s nice when someone cares so much. I don’t know how easy it is to be a big movie star, I’ll never understand that world, but to show up and care that much, to me, is a nice deal and I’ll take it. With all the craziness.”
~ Dito Montiel On Shia Labeouf