By Gregg Goldstein gcgoldstein@yahoo.com

Short Take – I Love You Phillip Morris (views)

There’s nothing that can prepare you for I Love You Phillip Morris, a con-man, gay-romantic, prison-escape, sex-farce comedy-drama (based on an unbelievable true crime story… or was it?) which defies any expectations you bring to it.
First-time writer/directors Glenn Ficarra and John Requa are trying for something much more than the bitter satire of their great Bad Santa script. The subject is Steve Russell (Jim Carrey), a married cop who comes out of the closet and into a life of crime-fueled luxury, landing him in prison. There he falls in love at first sight with the shy, blonde title character (Ewan McGregor), but he’s just as in love with con artistry. The result is a series of dizzying twists and turns that would be a crime to spoil.

The film’s tone stays devoted to whatever Carrey’s character wants you to feel (well, most of the time), a dizzying experience that veers from comedy to drama to romance to suspense and many places in between. It’s a daring move to go from prison oral sex jokes to a completely serious, intense romantic scene between two men within minutes of each other. Both would work perfectly on their own terms if viewed as separate clips. Together the effect is disorienting, and surely will alienate even some open-minded viewers, but it’s key to the filmmakers’ audacious agenda.

Some will see lost opportunities for laughs (and rightly so, given the principals’ track records). But others could justifiably argue it would’ve erased some affecting poignancy in key scenes, rare in any romantic drama these days, let alone a gay one with movie stars.
It’s a testament to Carrey’s ability that fears of “can-he-tone-his-shtick-down” don’t haunt the viewer. He segues from characteristically goofy moves to earnest moments that don’t seem as maudlin as he’s been at times. McGregor is as good as ever, completely authentic. You totally buy the passion between them.

Morris cons its audience, but in a good way. We’re its victims, and the strength of its appeal will lie mainly in your ability to sit back, go along for the ride, let where it takes you affect you and not mind the manipulation.

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork