By Gregg Goldstein gcgoldstein@yahoo.com

Day Four of Sundance: Spread-ing the Wealth as Sales Sail Into Sunday (news)

Bitter cold may have finally settled on Park City, but film execs were basking in the afterglow of Senator’s $5 million Brooklyn’s Finest pickup Saturday night, and warmed by the heat that could make Ashton Kutcher’s sex comedy Spread one of the biggest sales of the festival. On the flip side, a gay panic comedy with unknowns, Humpday, was in talks to make a deal with (rumor had it) Sony Pictures Classics or another small-scale specialty distributor.

After fest upon fest of disappointing big-name projects, Spread almost seemed too good to be true: a Sundance comedy with name actors (and nudity!) that seemed to live up to its commercial promise. Kutcher plays a wannabe gigolo with a variety of clients who seemingly meets his match (Anne Heche). The very indie director David Mackenzie (Young Adam) delivered a less-than-indie movie, and while Sundance purists could balk, in this economy it was cause for celebration. Any number of new distributors (Summit, Senator, Overture) looking for mainstream films on the cheap would be a good fit.
William Morris Independent’s Cassian Elwes, whose company co-repped the Finest sale with CAA, said “we were very conscious about getting our sale done within 24 hours of its premiere,” in part to give the market a much-needed psychological boost. The unfinished film was rushed into Sundance because the sellers didn’t want to wait until Cannes, he said, and to capitalize on having many key buyers assembled together. Senator president Mark Urman tracked down Elwes’ hotel room Friday night and knocked on his door at 2am, convincing sellers his new distribution firm was right for the film.

While it’s too early for buyers to be singing Happy Days are Here Again, the sale of Finest (despite some harsh criticism) and the appeal of Spread gives hope that the Jim Carrey/Ewan McGregor gay prison love comedy “I Love You Phillip Morris,” will live up to the same commercial expectations, even if it needs a little tweaking in the edit room. (Late-night Lil’ Wayne doc The Carter may also benefit from the up-with-stars mood). But even before the Sunday night Eccles premiere of Morris, buyers will have a host of films to scout.

An Education, Arlen Faber and World’s Greatest Dad are just some of the films showing promise. Check out the full list at the 10 Days of Sundance Sales Chart, and check it again late, late Sunday night to see which films beat the odds to score a sale.

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A Spirited Exchange

“In some ways Christopher Nolan has become our Stanley Kubrick,” reads the first sentence of David Bordwell’s latest blog post–none of which I want or intend to read after that desperate opening sentence. If he’d written “my” or “some people’s” instead of “our”, I might have read further. Instead, I can only surmise that in some ways David Bordwell may have become our Lars von Trier.”
~ Jonathan Rosenbaum On Facebook

“Jonathan has written a despicable thing in comparing me to Trump. He’s free to read or not read what I write, and even to judge arguments without reading them. It’s not what you’d expect from a sensible critic, but it’s what Jonathan has chosen to do, for reasons of a private nature he has confided to me in an email What I request from him is an apology for comparing my ideas to Trump’s.”
~ David Bordwell Replies

“Yes, I do apologize, sincerely, for such a ridiculous and quite unwarranted comparison. The private nature of my grievance with David probably fueled my post, but it didn’t dictate it, even though I’m willing to concede that I overreacted. Part of what spurred me to post something in the first place is actually related to a positive development in David’s work–an improvement in his prose style ever since he wrote (and wrote very well) about such elegant prose stylists as James Agee and Manny Farber. But this also brought a journalistic edge to his prose, including a dramatic flair for journalistic ‘hooks’ and attention-grabbers, that is part of what I was responding to. Although I realize now that David justifies his opening sentence with what follows, and far less egregiously than I implied he might have, I was responding to the drum roll of that opening sentence as a provocation, which it certainly was and is.”
~ Jonathan Rosenbaum Replies

“In my own mind, I’ve always been a writer and the fact that I act is, well… it’s been very enjoyable and I love doing it. It has been good for me, but in my own mind I’m just a writer with a bizarre activity—acting—that I undertake.”
~ Wallace Shawn