By Gregg Goldstein gcgoldstein@yahoo.com

Day Four of Sundance: Spread-ing the Wealth as Sales Sail Into Sunday (news)

Bitter cold may have finally settled on Park City, but film execs were basking in the afterglow of Senator’s $5 million Brooklyn’s Finest pickup Saturday night, and warmed by the heat that could make Ashton Kutcher’s sex comedy Spread one of the biggest sales of the festival. On the flip side, a gay panic comedy with unknowns, Humpday, was in talks to make a deal with (rumor had it) Sony Pictures Classics or another small-scale specialty distributor.

After fest upon fest of disappointing big-name projects, Spread almost seemed too good to be true: a Sundance comedy with name actors (and nudity!) that seemed to live up to its commercial promise. Kutcher plays a wannabe gigolo with a variety of clients who seemingly meets his match (Anne Heche). The very indie director David Mackenzie (Young Adam) delivered a less-than-indie movie, and while Sundance purists could balk, in this economy it was cause for celebration. Any number of new distributors (Summit, Senator, Overture) looking for mainstream films on the cheap would be a good fit.
William Morris Independent’s Cassian Elwes, whose company co-repped the Finest sale with CAA, said “we were very conscious about getting our sale done within 24 hours of its premiere,” in part to give the market a much-needed psychological boost. The unfinished film was rushed into Sundance because the sellers didn’t want to wait until Cannes, he said, and to capitalize on having many key buyers assembled together. Senator president Mark Urman tracked down Elwes’ hotel room Friday night and knocked on his door at 2am, convincing sellers his new distribution firm was right for the film.

While it’s too early for buyers to be singing Happy Days are Here Again, the sale of Finest (despite some harsh criticism) and the appeal of Spread gives hope that the Jim Carrey/Ewan McGregor gay prison love comedy “I Love You Phillip Morris,” will live up to the same commercial expectations, even if it needs a little tweaking in the edit room. (Late-night Lil’ Wayne doc The Carter may also benefit from the up-with-stars mood). But even before the Sunday night Eccles premiere of Morris, buyers will have a host of films to scout.

An Education, Arlen Faber and World’s Greatest Dad are just some of the films showing promise. Check out the full list at the 10 Days of Sundance Sales Chart, and check it again late, late Sunday night to see which films beat the odds to score a sale.

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray