Dallas-Ft. Worth Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Top Ten Films of 2008
1. SLUMDOG MILLIONAIRE
2. MILK
3. THE DARK KNIGHT
4. THE CURIOUS CASE OF BENJAMIN BUTTON
5. THE WRESTLER
6. THE VISITOR
7. FROST/NIXON
8. DOUBT
9. WALL-E
10. HAPPY-GO-LUCKY

Best Film
SLUMDOG MILLIONAIRE

Best Director
Danny Boyle, SLUMDOG MILLIONAIRE

Best Actor
Sean Penn, MILK

Best Actress
Anne Hathaway, RACHEL GETTING MARRIED

Best Supporting Actor
Heath Ledger, THE DARK KNIGHT

Best Supporting Actress
Viola Davis, DOUBT

Best Foreign Language Film
TELL NO ONE

Best Documentary
MAN ON WIRE

Best Animated Film
WALL-E

Best Screenplay
Dustin Lance Black, MILK

Best Cinematography
Wally Pfister,THE DARK KNIGHT

WENDY AND LUCY won the Russell Smith Award, named for the late Dallas Morning News film critic. The honor is given annually to the best low-budget or cutting-edge independent film.

Comments are closed.

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman