Costume Designers Guild

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009

Excellence in Costume Design for Film – Period
The Duchess: Michael O’Connor
Changeling: Deborah Hopper
Milk: Danny Glicker
Revolutionary Road: Albert Wolsky
The Curious Case of Benjamin Button: Jacqueline West

Excellence in Commercial Costume Design
Casey Storm
For “Milk, White Gold”.

Excellence in Costume Design for Film – Contemporary
Slumdog Millionaire: Suttirat Anne Larlarb
Iron Man: Laura Jean Shannon, Rebecca Bentjen
Mamma Mia!: Ann Roth
Sex and the City: Patricia Field
The Wrestler: Amy Westcott

Excellence in Costume Design for Film – Fantasy
The Dark Knight: Lindy Hemming
The Chronicles of Narnia: Prince Caspian: Isis Mussenden
The Mummy: Tomb of the Dragon Emperor: Sanja Milkovic Hays

Outstanding Costume Design for Television Movie/Mini-Series
John Adams: Donna Zakowska
Return to Cranford: Jenny Beavan
Sense & Sensibility: Michele Clapton
Bernard and Doris: Joseph G. Aulisi
Coco Chanel: Pierre-Yves Gayraud, Stefano De Nardis

Outstanding Costume Design for Television Series – Period/Fantasy
Mad Men: Katherine Jane Bryant
Pushing Daisies: Robert Blackman
The Tudors: Joan Bergin

Outstanding Costume Design for Television Series – Contemporary
Ugly Betty: Eduardo Castro, Patricia Field
30 Rock: Tom Broecker
Dancing with the Stars: Randall Christensen
Entourage: Amy Westcott
Gossip Girl: Eric Daman

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The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh


“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda