Cinema Audio Society

2006 | 2007 | 2008 | 2009

Awards

For Outstanding Achievement in Sound Mixing
SLUMDOG MILLIONAIRE
Resul Pookutty
Ian Tapp
Richard Pryke

Television Movies and Mini-Series
John Adams, Episode 1: “Join or Die”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

Television Series
24: “Redemption”
William F. Gocke, CAS
Michael Olman, CAS
Kenneth Kobett, CAS

Television – Non-Fiction, Variety or Music – Series or Specials:
Deadliest Catch: ”No Mercy”
Bob Bronow, CAS
DVD Original Programming:
Smashing Pumpkins- If All Goes Wrong
Kerry Brown
Brian Slack

__________________________________________

Nominations

For Outstanding Achievement in Sound Mixing

Motion Pictures:
THE DARK KNIGHT
Ed Novick
Lora Hirschberg
Gary A. Rizzo

IRON MAN
Mark Ulano, CAS
Christopher Boyes
Lora Hirschberg

QUANTUM OF SOLACE
Chris Munro, CAS
Mike Prestwood Smith
Mark Taylor

SLUMDOG MILLIONAIRE
Resul Pookutty
Ian Tapp
Richard Pryke

WALL-E
Tom Myers
Michael Semanick, CAS

Television Movies and Mini-Series

Generation Kill, Episode 5: “A Burning Dog”
Danny Hambrook
Stuart Hilliker
Alexandros Sidiropoulous

John Adams, Episode 1: “Join or Die”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

John Adams, Episode 2: “Independence”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

John Adams, Episode 3: “Don’t Tread on Me”
Jay Meagher, CAS
Marc Fishman
Tony Lamberti

Recount
Gary Alper
Gary C. Bourgeois, CAS
Greg Orloff, CAS

Television Series

24: “Redemption”
William F. Gocke, CAS
Michael Olman, CAS
Kenneth Kobett, CAS

Dexter: Episode 5: “Turning Biminese”
Roger Pietschman, CAS
Elmo Ponsdomenech
Kevin Roache

House: “Lsst Resort”
Von Varge
Gerry Lentz, CAS
Rich Weingart, CAS

Lost: “Meet Kevin Johnson”
Robert Anderson, Jr., CAS
Frank Morrone, CAS
Scott Weber

Mad Men: “The Jet Set”
Peter Bentley
Ken Teaney, CAS
Geoffrey Rubay

Television – Non-Fiction, Variety or Music – Series or Specials:

American Idol: Season 7 Finale
Brian Riordan, CAS
Conner Moore

Deadliest Catch: ”No Mercy”
Bob Bronow, CAS

Great Performances at the Met: “La Boheme”
Bill King
Ken Hahn, CAS
Jay Saks
John Bowen

Great Performances: “Company”
Jorge Silva
Ken Hahn, CAS

Steve Miller Band Live in Chicago
Andy Johns
Brian Slack

DVD Original Programming:

Little Mermaid: Ariel’s Beginning
Carlos Sotolongo
Mark Fleming, CAS
Tom Dahl, CAS

Meerkat Manor: The Story Begins
Nominees TBA

Runnin’ Down a Dream: Tom Petty and the Heartbreakers
Andy Johns
Brian Slack

Smashing Pumpkins- If All Goes Wrong
Kerry Brown
Brian Slack

Wargames: The Dead Code
Terry O’Bright, CAS

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain