Cinema Audio Society

2006 | 2007 | 2008 | 2009

Awards

For Outstanding Achievement in Sound Mixing
SLUMDOG MILLIONAIRE
Resul Pookutty
Ian Tapp
Richard Pryke

Television Movies and Mini-Series
John Adams, Episode 1: “Join or Die”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

Television Series
24: “Redemption”
William F. Gocke, CAS
Michael Olman, CAS
Kenneth Kobett, CAS

Television – Non-Fiction, Variety or Music – Series or Specials:
Deadliest Catch: ”No Mercy”
Bob Bronow, CAS
DVD Original Programming:
Smashing Pumpkins- If All Goes Wrong
Kerry Brown
Brian Slack

__________________________________________

Nominations

For Outstanding Achievement in Sound Mixing

Motion Pictures:
THE DARK KNIGHT
Ed Novick
Lora Hirschberg
Gary A. Rizzo

IRON MAN
Mark Ulano, CAS
Christopher Boyes
Lora Hirschberg

QUANTUM OF SOLACE
Chris Munro, CAS
Mike Prestwood Smith
Mark Taylor

SLUMDOG MILLIONAIRE
Resul Pookutty
Ian Tapp
Richard Pryke

WALL-E
Tom Myers
Michael Semanick, CAS

Television Movies and Mini-Series

Generation Kill, Episode 5: “A Burning Dog”
Danny Hambrook
Stuart Hilliker
Alexandros Sidiropoulous

John Adams, Episode 1: “Join or Die”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

John Adams, Episode 2: “Independence”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

John Adams, Episode 3: “Don’t Tread on Me”
Jay Meagher, CAS
Marc Fishman
Tony Lamberti

Recount
Gary Alper
Gary C. Bourgeois, CAS
Greg Orloff, CAS

Television Series

24: “Redemption”
William F. Gocke, CAS
Michael Olman, CAS
Kenneth Kobett, CAS

Dexter: Episode 5: “Turning Biminese”
Roger Pietschman, CAS
Elmo Ponsdomenech
Kevin Roache

House: “Lsst Resort”
Von Varge
Gerry Lentz, CAS
Rich Weingart, CAS

Lost: “Meet Kevin Johnson”
Robert Anderson, Jr., CAS
Frank Morrone, CAS
Scott Weber

Mad Men: “The Jet Set”
Peter Bentley
Ken Teaney, CAS
Geoffrey Rubay

Television – Non-Fiction, Variety or Music – Series or Specials:

American Idol: Season 7 Finale
Brian Riordan, CAS
Conner Moore

Deadliest Catch: ”No Mercy”
Bob Bronow, CAS

Great Performances at the Met: “La Boheme”
Bill King
Ken Hahn, CAS
Jay Saks
John Bowen

Great Performances: “Company”
Jorge Silva
Ken Hahn, CAS

Steve Miller Band Live in Chicago
Andy Johns
Brian Slack

DVD Original Programming:

Little Mermaid: Ariel’s Beginning
Carlos Sotolongo
Mark Fleming, CAS
Tom Dahl, CAS

Meerkat Manor: The Story Begins
Nominees TBA

Runnin’ Down a Dream: Tom Petty and the Heartbreakers
Andy Johns
Brian Slack

Smashing Pumpkins- If All Goes Wrong
Kerry Brown
Brian Slack

Wargames: The Dead Code
Terry O’Bright, CAS

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“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray

 

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”