Cinema Audio Society

2006 | 2007 | 2008 | 2009

Awards

For Outstanding Achievement in Sound Mixing
SLUMDOG MILLIONAIRE
Resul Pookutty
Ian Tapp
Richard Pryke

Television Movies and Mini-Series
John Adams, Episode 1: “Join or Die”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

Television Series
24: “Redemption”
William F. Gocke, CAS
Michael Olman, CAS
Kenneth Kobett, CAS

Television – Non-Fiction, Variety or Music – Series or Specials:
Deadliest Catch: ”No Mercy”
Bob Bronow, CAS
DVD Original Programming:
Smashing Pumpkins- If All Goes Wrong
Kerry Brown
Brian Slack

__________________________________________

Nominations

For Outstanding Achievement in Sound Mixing

Motion Pictures:
THE DARK KNIGHT
Ed Novick
Lora Hirschberg
Gary A. Rizzo

IRON MAN
Mark Ulano, CAS
Christopher Boyes
Lora Hirschberg

QUANTUM OF SOLACE
Chris Munro, CAS
Mike Prestwood Smith
Mark Taylor

SLUMDOG MILLIONAIRE
Resul Pookutty
Ian Tapp
Richard Pryke

WALL-E
Tom Myers
Michael Semanick, CAS

Television Movies and Mini-Series

Generation Kill, Episode 5: “A Burning Dog”
Danny Hambrook
Stuart Hilliker
Alexandros Sidiropoulous

John Adams, Episode 1: “Join or Die”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

John Adams, Episode 2: “Independence”
Jay Meagher, CAS
Mike Minkler, CAS
Bob Beemer, CAS

John Adams, Episode 3: “Don’t Tread on Me”
Jay Meagher, CAS
Marc Fishman
Tony Lamberti

Recount
Gary Alper
Gary C. Bourgeois, CAS
Greg Orloff, CAS

Television Series

24: “Redemption”
William F. Gocke, CAS
Michael Olman, CAS
Kenneth Kobett, CAS

Dexter: Episode 5: “Turning Biminese”
Roger Pietschman, CAS
Elmo Ponsdomenech
Kevin Roache

House: “Lsst Resort”
Von Varge
Gerry Lentz, CAS
Rich Weingart, CAS

Lost: “Meet Kevin Johnson”
Robert Anderson, Jr., CAS
Frank Morrone, CAS
Scott Weber

Mad Men: “The Jet Set”
Peter Bentley
Ken Teaney, CAS
Geoffrey Rubay

Television – Non-Fiction, Variety or Music – Series or Specials:

American Idol: Season 7 Finale
Brian Riordan, CAS
Conner Moore

Deadliest Catch: ”No Mercy”
Bob Bronow, CAS

Great Performances at the Met: “La Boheme”
Bill King
Ken Hahn, CAS
Jay Saks
John Bowen

Great Performances: “Company”
Jorge Silva
Ken Hahn, CAS

Steve Miller Band Live in Chicago
Andy Johns
Brian Slack

DVD Original Programming:

Little Mermaid: Ariel’s Beginning
Carlos Sotolongo
Mark Fleming, CAS
Tom Dahl, CAS

Meerkat Manor: The Story Begins
Nominees TBA

Runnin’ Down a Dream: Tom Petty and the Heartbreakers
Andy Johns
Brian Slack

Smashing Pumpkins- If All Goes Wrong
Kerry Brown
Brian Slack

Wargames: The Dead Code
Terry O’Bright, CAS

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé