MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Go Tinklenberg!

Awesome news coming from Minnesota Public Radio: The Democratic Congressional Campaign Committee has reportedly added El Tinklenberg to the list of candidates it will support from its Red to Blue Fund, which pours money into the coffers of Democratic candidates in races where there’s a good possibility of taking back a Republican-controlled seat.
The DCCC will, it seems, spend more than $1 million in television ads supporting Tinklenberg in his race against Michele “McCarthy” Bachmann. The ads start tomorrow. This could be just what the Tink needs to uproot Bachmann and put a Democrat in the seat for Minnesota’s Sixth Congressional District. One question … will the DCCC’s ads end with a “thank you” to Bachmann for handing them her own head on a silver platter? She keeps trying to backtrack and talk her way out of this, but that’s kind of hard to do when the video of you saying the very things you’re denying saying is out there to be seen by anyone and everyone.
It’s going to be a close race, but here’s hoping Tinklenberg pulls it off. This has just become one of the hottest races to watch on election night.
… and mucho thanks to Ray Pride for tipping me off about this.

4 Responses to “Go Tinklenberg!”

  1. Deathtongue_Groupie says:

    This is on top of the $640K that came in within 48 hours of her appearance on Hardball.
    The RNC must be shitting bricks, she turned a cake walk re-election into a toss up with one Fascist remark.
    Way to go!

  2. Mgmax says:

    Oh great, another “movie” blog that’s all about liberal politics. Anyone know a movie blog that’s about movies?

  3. jeffmcm says:

    Mgmax, didn’t you read the first three letters after the www up above?

  4. swordandpen says:

    Mgmax, do you plan to do this martyr routine on every movie blog?

Politics

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“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner