MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Go Tinklenberg!

Awesome news coming from Minnesota Public Radio: The Democratic Congressional Campaign Committee has reportedly added El Tinklenberg to the list of candidates it will support from its Red to Blue Fund, which pours money into the coffers of Democratic candidates in races where there’s a good possibility of taking back a Republican-controlled seat.
The DCCC will, it seems, spend more than $1 million in television ads supporting Tinklenberg in his race against Michele “McCarthy” Bachmann. The ads start tomorrow. This could be just what the Tink needs to uproot Bachmann and put a Democrat in the seat for Minnesota’s Sixth Congressional District. One question … will the DCCC’s ads end with a “thank you” to Bachmann for handing them her own head on a silver platter? She keeps trying to backtrack and talk her way out of this, but that’s kind of hard to do when the video of you saying the very things you’re denying saying is out there to be seen by anyone and everyone.
It’s going to be a close race, but here’s hoping Tinklenberg pulls it off. This has just become one of the hottest races to watch on election night.
… and mucho thanks to Ray Pride for tipping me off about this.

4 Responses to “Go Tinklenberg!”

  1. Deathtongue_Groupie says:

    This is on top of the $640K that came in within 48 hours of her appearance on Hardball.
    The RNC must be shitting bricks, she turned a cake walk re-election into a toss up with one Fascist remark.
    Way to go!

  2. Mgmax says:

    Oh great, another “movie” blog that’s all about liberal politics. Anyone know a movie blog that’s about movies?

  3. jeffmcm says:

    Mgmax, didn’t you read the first three letters after the www up above?

  4. swordandpen says:

    Mgmax, do you plan to do this martyr routine on every movie blog?

Leave a Reply

Politics

Quote Unquotesee all »

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

“Lars. He’s done a lot of drugs. Over the hill. The last time I saw Lars, he was telling my wife he wants to have sex with her. I told him to fuck off. So he found another slut.”
~ Nicolas Winding Refn On Lars Von Trier

Z Weekend Report