Night Moves
MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Go Tinklenberg!

Awesome news coming from Minnesota Public Radio: The Democratic Congressional Campaign Committee has reportedly added El Tinklenberg to the list of candidates it will support from its Red to Blue Fund, which pours money into the coffers of Democratic candidates in races where there’s a good possibility of taking back a Republican-controlled seat.
The DCCC will, it seems, spend more than $1 million in television ads supporting Tinklenberg in his race against Michele “McCarthy” Bachmann. The ads start tomorrow. This could be just what the Tink needs to uproot Bachmann and put a Democrat in the seat for Minnesota’s Sixth Congressional District. One question … will the DCCC’s ads end with a “thank you” to Bachmann for handing them her own head on a silver platter? She keeps trying to backtrack and talk her way out of this, but that’s kind of hard to do when the video of you saying the very things you’re denying saying is out there to be seen by anyone and everyone.
It’s going to be a close race, but here’s hoping Tinklenberg pulls it off. This has just become one of the hottest races to watch on election night.
… and mucho thanks to Ray Pride for tipping me off about this.

4 Responses to “Go Tinklenberg!”

  1. Deathtongue_Groupie says:

    This is on top of the $640K that came in within 48 hours of her appearance on Hardball.
    The RNC must be shitting bricks, she turned a cake walk re-election into a toss up with one Fascist remark.
    Way to go!

  2. Mgmax says:

    Oh great, another “movie” blog that’s all about liberal politics. Anyone know a movie blog that’s about movies?

  3. jeffmcm says:

    Mgmax, didn’t you read the first three letters after the www up above?

  4. swordandpen says:

    Mgmax, do you plan to do this martyr routine on every movie blog?

Leave a Reply

Politics

Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato