MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

George Sluizer lectures on cinema's future: The only attitude of a superior man is to persist in an activity he recognizes as useless, to observe a discipline he knows is 'sterile' and also utterly 'inconsequential.'

Approaching Ground Zero with video camera


Dutch director George Sluizer (both versions of The Vanishing) delivered the Variety Cinema Militans Lecture in Utrecht on Sept. 27. “The lecture,” reports Variety, “is one of the highlights of the Netherlands Film Festival [and] has been delivered by some of Europe’s leading filmmakers, including Peter Greenaway, Krzysztof Zanussi and Agnieszka Holland.” All 4,200 worthy words are at the link; here’s a taste.”To put myself and you in the right spirit, let me start this Cinema Militans Lecture with a quote by the Portuguese poet Fernando Pessoa: “The only attitude of a superior man is to persist in an activity he recognizes as useless, to observe a discipline he knows is ‘sterile’ and also utterly ‘inconsequential.’ ” “Cinema” is, or I should say was, a thing of the 20th century. The film d’auteur died recently with the death of Bergman and Antonioni… In 2008, do we still need to devote our time to theories regarding film language, structure, style, editing, camera positions and all the other things we studied and were curious about 50 or 75 years ago? Today, the business of images for mass consumption is responsible for 95% of the media industry, including film for maybe 2% or 3%. Should we be nostalgic about the avant-garde filmmakers and essayists of the 20th century? No. Their way of filmmaking is now past history: very seldom today can we see films that remind us of the craft of “direct visual storytelling,” cinema that produces images that in principle need no explanation with words. Cinema is ruled by other media: television, DVDs and the Internet, and whatever is invented next. The Internet has many more consumers and much more influence than cinema ever had, and therefore it also has much more power. The new technologies determine and rule the business. They are responsible for the new way of communication between the people of the world… From an economic perspective, there is no point in investing in a delightful, memorable, challenging or subtle film, except if the product has a chance to make money. Politically speaking, art is unnecessary, because one does not need art to survive. The need for spiritual and artistic nurturing seems to have faded. It lives on mainly because some people need to fight the triumphant materialism and crave for emotions and emotivity as a proof of their existence… There are two processes that human beings cannot stop as long as they are alive: one is breathing and the other is thinking. Thinking makes us present to ourselves; thinking is the main component of our identity. Thoughts are the only assured possession we have. Thinking is supremely ours, and buried in the uttermost privacy of our being. No other human being can think my thoughts for me… There is a dichotomy, a deep fault between our old classical education and the speed of technological development. The two don’t match anymore. The abyss grows. What we have to learn is to think, something not usually taught in schools. To stay in sync with tomorrow, to learn to think, we have to learn. We have to re-adjust our mental education and mental training. Can we, for example, conceive of a society in which thinking is rationed… restricted to certain hours of the day, like food in the war was?” [Much more at the link.]

Comments are closed.

Movie City Indie

Quote Unquotesee all »

“Film festivals, for those who don’t know, are not exactly the glitzy red carpet affairs you see on TV. Those do happen, but they’re a tiny part of the festival. The main part of any film festival are the thousands of people with festival passes hanging on lanyards beneath their anoraks, carrying brochures for movies you have never and will never hear of, desperately scrabbling to sell whatever movie it is to buyers from all over the world. Every hotel bar, every cafe, every restaurant is filled to the brim with these people, talking loudly about non-existent deals. The Brits are the worst because most of the British film industry, with a few honourable exceptions, are scam artists and chancers who move around from company to company failing to get anything good made and trying to cast Danny Dyer in anything that moves. I’m seeing guys here who I first met twenty years ago and who are still wearing the same clothes, doing the same job (albeit for a different company) and spinning the same line of bullshit about how THIS movie has Al Pacino or Meryl Streep or George Clooney attached and, whilst that last one didn’t work out, THIS ONE is going to be HUGE. As the day goes on, they start drinking and it all gets ugly and, well, that’s why I’m the guy walking through the Tiergarten with a camera taking pictures of frozen lakes and pretending this isn’t happening.

“Berlin is cool, though and I’ve been lucky to be doing meetings with some people who want to actually get things done. We’ll see what comes of it.”
~ Julian Simpson 

“The difference between poetry and prose, and why if you’re not acculturated to poetry, you might resist it: that page is frightening. Why is it not filled? The two categories of people who don’t feel that way are children and prisoners. So many prison poets; they see that gap and experience it differently. I’m for the gap!”
~ Poet Eileen Myles