MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Toronto 08 Preview, Pt 1

I am now working my way through the TIFF list… here is the first part of what I am finding that I think might be particularly interesting…
Appaloosa – Ed Harris takes on the western… fingers crossed.
Blindness – Fernando Meirelles took a beating in Cannes… but I trust him more than I trust “them.”
The Brothers Bloom – Rian Johnson’s first, Brick, was a cult phenom… and little seen by mainstream movie lovers. Here, he has indie beloved Ruffalo and Brody as brothers/con artists, working Rachel Weisz. Fingers crossed.
Burn After Reading – A Coen Bros comedy. ‘Nuff said.
Burning Plain – The soul of the dramas with Alejandro Gonzalez Inarritu, Guillermo Arriaga gets behind the camera for the first time with Charlize Theron and Kim Basinger on board in lustful, ripe roles. The only question is whether it will entertain as much as it punches you in the face.
Che’ – I can’t wait to see it. Again, I trust few critics, especially when impatience was the leading theme of most slams. Maybe it really does need to be cut… maybe not. We’ll see.
Disgrace – A remarkably quiet production, given that it adapts a very popular J.M. Coetzee book and stars John Malkovich as the professor whose disgrace starts the story rolling. It could be the fact that the filmmakers, the Aussie husband and wife directing/writing team Steve Jacobs and Anna Maria Monticelli, are little known commodities. But this one smells of being one of those that surprises at the fest.
The Duchess – More pretty dresses, on and off.
Easy Virtue – Stephen Elliot, the man who put Guy Pearce, Terrance Stamp, and Mr. Smith in drag, is back at the movies with a Noel Coward romp. Finding the right speed for movies of this tone is very difficult.
Flash Of Genius – Universal is quite serious about their variation on Tucker: A Man & His Dream with Greg Kinnear in the Jeff Bridges role.
Girl From Monaco – I have become an Anne Fontaine fan, mostly from exposure at TIFF. Once again, she works in the arena of people who don’t belong together, but just can’t help but to be drawn into trouble.
The Good, The Bad & The Weird – Billed as “the first kimchi western,” it comes on the heels of Takshi Miike’s Sukiyaki Wastern Django. Word of mouth is good on this one.
Il Divo – A political film with passionately mixed response at Cannes, at least as far as whether it will play in North America.
Inju, The Beast In the Shadow – A Barbet Schroeder thriller, he is usually a sure bet for a good time in this mode, if the not the most subtle experience.
The Lucky Ones – Veterans cross America on way home… it’s been in the can a while…
Miracle at St Anna – Spike Lee’s black Saving Private Ryan. Hopeful.
Nothing But The Truth – Rod Lurie’s recently delayed tale based on the Valerie Plame scandal, from the POV of the reporter who was jailed for not giving up her source. Lurie risked casting Kate Beckinsale, who has been known for her vinyl pants instead of her acting in recent years, looking to score some serious points, along with Vera Farmiga as the glam CIA agent and Lurie regular Alan Alda in a showy role.
Other Man – Richard Eyre’s follow-up to the very successful and underrated Notes on a Scandal, this is another intrigue with Liam Neeson seeking out the truth about his wife’s secret relationship. Sounds a little like one of my beloveds, Damage.
Pride & Glory – Gavin O’Conner tries not to fall into cliché with the story of NY police family tested by… blah blah blah. The thing is, when those clichés are overcome, the results can be very exciting.
Public Enemy No. 1 – The French version of a familiar tale stars the always fun to watch Vincent Cassel and Depardieu. I’m willing to give this one a chance with hopes for great fun.
Rachel Getting Married – Jon Demme’s tribute to Altman adds in Demme’s love of music with the daring choice to tell a real, human story and not to rely on easy Hollywood answers to every dramatic question. A festival film that will cause fights between friends.
Rocknrolla – Guy Ritchie doesn’t suck… a key theme when his last film was the career-horror Revolver. But this time out, the film works and has a cult star turning bigger and bigger in Gerard Butler.
The Wrestler – Darren Aronofsky has gotten the CG ambitions out of the way and is back to hard core, personal storytelling with style. Mickey Rourke has a shot at being a big story at this year’s fest.
Zack & Miri Make A Porno – As raunchy as this one sounds, word is that it has a degree of sweetness more like Chasing Amy than Clerks, with skills that Kevin Smith has built over the years.
(Director mistake corrected, 8:45p)

One Response to “Toronto 08 Preview, Pt 1”

  1. doobiedoo says:

    Stephan Elliot. Not Stephen.

Quote Unquotesee all »

“Most of these women were in their early twenties. Most of them refused to go any further with him, but a few went to dinner, or to some sort of casting situation, or to someplace private… if the stories were just about some crazed sex addict who approaches thousands of women on the street trying to get laid, I wouldn’t be posting this now. I don’t want to be attacking every Hollywood douchebag who hits on countless women. That type of behavior isn’t cool, but I think it’s important to separate douchebaggery from any kind of sexual coercion. But the women I talked to who DID go someplace private with Toback, told stories that were worse than the women only accosted on the street… So I did what I could do in my impotent state – for over twenty years now, I’ve been bringing up James Toback every chance I could in groups of people. I couldn’t stop him, but I could warn people about him… I’ve been hoping the Weinstein/O’Reilly stuff would bring this vampire into the light (him and a couple others, frankly). So I was happy today to wake up to this story in the L. A. Times.”
~ James Gunn

“BATTLE OF THE SEXES: Politics and queerness as spectacle/spectacle as politics and queerness. Pretty delightful, lovely, erotic. A-

“Not since EASY A and CABARET have I seen Emma Stone give a real sense of her range. Here, she has pathos and interiority and desire. I love the cinematography and the ways in which the images of the tennis icons are refracted and manipulated via various surfaces/mediators. Also, wild how a haircut is one of the most erotic scenes in cinema this year. Spine tinglingly tactile that feels refreshing. Proof that *cough* you don’t need to be ~graphic/explicit~ to be erotic *cough*. Also, it made me want to get into tennis. Watching it, at least.

“There are interesting touches and intimations as to the cinematic nature of sports, & unpacking the formal approach of broadcasting sports.Also, I was here for Sarah Silverman smoking. And also, hi Mickey Sumner!! It’s a really interesting film about the ways in which public spectacle is never apolitical, and how spectacle is prone to assignation.

“There’s this one other scene from BATTLE OF THE SEXES that I love, and it’s the one in the bar. You see Billie looking after Marilyn as she dances. Through a crowd. There’s a paradoxical closeness and distance between them. In the purple light, and the kitschy decor, everything is distorted. But Billie catches a glance and you can feel the nervous swell inside.”
~ Kyle Turner