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David Poland

By David Poland poland@moviecitynews.com

Toronto 08 Preview, Pt 1

I am now working my way through the TIFF list… here is the first part of what I am finding that I think might be particularly interesting…
Appaloosa – Ed Harris takes on the western… fingers crossed.
Blindness – Fernando Meirelles took a beating in Cannes… but I trust him more than I trust “them.”
The Brothers Bloom – Rian Johnson’s first, Brick, was a cult phenom… and little seen by mainstream movie lovers. Here, he has indie beloved Ruffalo and Brody as brothers/con artists, working Rachel Weisz. Fingers crossed.
Burn After Reading – A Coen Bros comedy. ‘Nuff said.
Burning Plain – The soul of the dramas with Alejandro Gonzalez Inarritu, Guillermo Arriaga gets behind the camera for the first time with Charlize Theron and Kim Basinger on board in lustful, ripe roles. The only question is whether it will entertain as much as it punches you in the face.
Che’ – I can’t wait to see it. Again, I trust few critics, especially when impatience was the leading theme of most slams. Maybe it really does need to be cut… maybe not. We’ll see.
Disgrace – A remarkably quiet production, given that it adapts a very popular J.M. Coetzee book and stars John Malkovich as the professor whose disgrace starts the story rolling. It could be the fact that the filmmakers, the Aussie husband and wife directing/writing team Steve Jacobs and Anna Maria Monticelli, are little known commodities. But this one smells of being one of those that surprises at the fest.
The Duchess – More pretty dresses, on and off.
Easy Virtue – Stephen Elliot, the man who put Guy Pearce, Terrance Stamp, and Mr. Smith in drag, is back at the movies with a Noel Coward romp. Finding the right speed for movies of this tone is very difficult.
Flash Of Genius – Universal is quite serious about their variation on Tucker: A Man & His Dream with Greg Kinnear in the Jeff Bridges role.
Girl From Monaco – I have become an Anne Fontaine fan, mostly from exposure at TIFF. Once again, she works in the arena of people who don’t belong together, but just can’t help but to be drawn into trouble.
The Good, The Bad & The Weird – Billed as “the first kimchi western,” it comes on the heels of Takshi Miike’s Sukiyaki Wastern Django. Word of mouth is good on this one.
Il Divo – A political film with passionately mixed response at Cannes, at least as far as whether it will play in North America.
Inju, The Beast In the Shadow – A Barbet Schroeder thriller, he is usually a sure bet for a good time in this mode, if the not the most subtle experience.
The Lucky Ones – Veterans cross America on way home… it’s been in the can a while…
Miracle at St Anna – Spike Lee’s black Saving Private Ryan. Hopeful.
Nothing But The Truth – Rod Lurie’s recently delayed tale based on the Valerie Plame scandal, from the POV of the reporter who was jailed for not giving up her source. Lurie risked casting Kate Beckinsale, who has been known for her vinyl pants instead of her acting in recent years, looking to score some serious points, along with Vera Farmiga as the glam CIA agent and Lurie regular Alan Alda in a showy role.
Other Man – Richard Eyre’s follow-up to the very successful and underrated Notes on a Scandal, this is another intrigue with Liam Neeson seeking out the truth about his wife’s secret relationship. Sounds a little like one of my beloveds, Damage.
Pride & Glory – Gavin O’Conner tries not to fall into cliché with the story of NY police family tested by… blah blah blah. The thing is, when those clichés are overcome, the results can be very exciting.
Public Enemy No. 1 – The French version of a familiar tale stars the always fun to watch Vincent Cassel and Depardieu. I’m willing to give this one a chance with hopes for great fun.
Rachel Getting Married – Jon Demme’s tribute to Altman adds in Demme’s love of music with the daring choice to tell a real, human story and not to rely on easy Hollywood answers to every dramatic question. A festival film that will cause fights between friends.
Rocknrolla – Guy Ritchie doesn’t suck… a key theme when his last film was the career-horror Revolver. But this time out, the film works and has a cult star turning bigger and bigger in Gerard Butler.
The Wrestler – Darren Aronofsky has gotten the CG ambitions out of the way and is back to hard core, personal storytelling with style. Mickey Rourke has a shot at being a big story at this year’s fest.
Zack & Miri Make A Porno – As raunchy as this one sounds, word is that it has a degree of sweetness more like Chasing Amy than Clerks, with skills that Kevin Smith has built over the years.
(Director mistake corrected, 8:45p)

One Response to “Toronto 08 Preview, Pt 1”

  1. doobiedoo says:

    Stephan Elliot. Not Stephen.

Quote Unquotesee all »

BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo