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David Poland

By David Poland

It Was 11 Years Ago Today…

Happy Button birthday to me.
I usually write some sort of heavy perspective column at this time of the year, but… nah.
The column was inspired by the lack of daily commentary from anyone but Army Archerd. I was online because of the late, great Andy Jones recruiting me from EW for a weekly. The support of TNT’s Scot Safon was critical. The anger from most of the staff in Atlanta, once the column caught on, was palpable.
Six months or so off for The Miami Film Festival. And then Movie City News.
Eleven years later, I am still having the same arguments with Moriarty… ten years of Wells doing my schtick (19 months of not reading him or communicating with him as a result of the prior 100)… about three years of blogs transforming the daily marketplace into something else altogether… the insanity (mostly offline) of Nikki Finke… and the desperation of an group of mainstreamers to be just like her, still not understanding that the opportunity of the web is to be so much better than smears and gossip.
Through the whole 11 years, I have not only done as I like, but I have always had very clear ideas of what I don’t want to be doing on the web, regardless of how it might spark bigger numbers or greater popularity. What I have had to fight off has changed, year by year. People and sites have come and gone. Overresponding to “threats” happens… and I think I have retreated to my real standards each time. (Welcome to the jungle, Sharon Waxman. Good luck.)
Of course, it is the people read my endless musing that make it all possible. It is the eyeballs of the industry that has allowed me my independence and made MCN a viable home not just for me, but for an entire somewhat underpaid staff of writers and other creative people. I couldn’t be more proud of or thankful for our staff, led by my partner in MCN crime, Laura Rooney.
Every year has been a little different. The Hot Blog came along about 3.5 years ago and 3000 entires and over 90,000 comments later, it has become the primary release valve. Lunch With David, now known as DP/30, soon to be known as something else as we take the 30 minute interview on the web to its next step, has been an absolute joy, even though it occupies part of my workspace that used to be spent grinding out copy. I love working with the only traditional editorial cartoonist working weekly on the film beat, RJ Matson, as we continue to seek out new ways to expand the boundaries of web editorial.
I’m healthy. I’m married. I’m busy. I’m still learning every day. And I am always looking for the next thing that will feel fresh and worth the effort.
I am happy.
And I thank you all.

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“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield