MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Sipping Champaign

It was a long trip to Champaign-Urbana from Los Angeles today. But it was too long a trip for Roger Ebert to make, laid up in his hospital room, still pressuring his doctors to give him a greenlight to bring his broken hip to his hometown for even a few hours at his namesake film festival.
It’s the 10th anniversary of Ebertfest and while last year felt a bit like a tribute to Roger himself – many of his closest filmmaker friends brought films and his own screenplay effort, Beyond The Valley of the Dolls, was shown – this year feels more like the festival Roger and his top sidekick, Nate Kohn, have programmed for years… films that have very mixed reputations, but play at their best with the warm embrace of Roger to offer this audience the reasons why they should love the films as well.
Roger’s wife, Chaz, will serve as lead host, as she did last year with Roger in attendance. Her opening remarks at today’s pre-show cocktail were very emotional and sweet and expressed what many of us in town for yet another year felt. Roger’s physical absence, combined with the permanent loss of “co-conspirator” Dusty Cohl, just feels odd and, as Chaz said, melancholic.
This is not the first Ebertfest at which I have seen every film programmed. And it’s an odd coincidence that I just sat down for a “Lunch” with Tarsem Singh, that one of my favorite “Lunches” of last year was with Ang Lee, who is going to be here with Hulk, and that another was with John Turturro for Romance & Cigarettes.
But coming to Ebertfest long ago stopped being about business for me. It’s a trip to Southern Illinois to have an annual reunion with a part of my family. I’ve never been particularly close with Roger & Chaz… though they have been very generous to me over many years now. I was closer with Dusty… and am thrilled to have a chance to spend some time with his wife, the amazing Joan. But I have not had a lot of mentors in my life’s work. Both men have been, when they knew it and when they didn’t, filling that slot in various ways. And there are others… friends from here who I see every year… friends that I have traveled with on The Floating Film Festival… friends from the journalistic and industry trenches.
You can be a fan or not a fan of Roger Ebert. But you can’t deny, when you are here – even when he is absent physically – his passion and commitment to film. In many ways, his absence, which we all hope will be brief, feels like a call for all of us who might push forward to find ways to bring similar passion to our circles of the world to do so.
To do any less would just be unrogerlike.

7 Responses to “Sipping Champaign”

  1. Cadavra says:

    Nice piece. Not that anyone else here would care, but Roger was the one who first introduced me to David several years ago, though I suspect Dave has forgiven him by now. 😉

  2. Hopscotch says:

    I respect and baffled by Ebert’s love of “Romance and Cigarettes”. I couldn’t get into it, and I’m pretty open to strange movies, but I couldn’t handle it. Anyone else seen it?

  3. Cadavra says:

    Yeah, it was a vanity production to be sure, but overall it worked for me, and it was nice to see Winslet letting down her hair (literally and figuratively). My biggest complaint is that the actors lip-synched to the original recordings, creating de facto duets, rather than singing alone to instrumental tracks. A big distraction. (Plus I woulda liked to have seen more of Elaine Stritch, but I understand she was a last-minute addition and was only available for the one day.)

  4. Monco says:

    Nice piece Dave. I always enjoy your writing about Roger.

  5. I’m with Hopscotch on this, although I did like Winslet. Romance & Cigarettes just felt like it was directed really poorly. It didn’t really have an idea of where it was going, it just meandered about from scene to scene (none of which seemed to have any rhythm to them).It was just very bizarre for seemingly no real reason.

  6. RudyV says:

    Great to see Tarsem getting another shot–his commentary track on THE CELL, where he frequently feels the need to apologize for what’s on the screen, is priceless. He got screwed over by the studio bigtime, and his revelation that they expected to see J-Lo in every scene is hysterical.

  7. EDouglas says:

    Not sure if you saw Werner Herzog’s “Encounters at the End of the World” at Toronto or if anyone’s mentioned it but he dedicated the movie to Roger… I wonder if he realizes that Roger is alive and (relatively) well.

The Hot Blog

movieman on: BYOBlog

Stella's Boy on: BYOBlog

movieman on: BYOBlog

Hcat on: BYOBlog

movieman on: BYOBlog

leahnz on: BYOBlog

movieman on: BYOBlog

movieman on: BYOBlog

leahnz on: BYOBlog

Stella's Boy on: BYOB - RIP The Goldfinch

Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima