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Ray Pride

By Ray Pride

Life and nothing but: another cricket calls it quits

At The House Next Door, Matt Zoller Seitz and Keith Uhlich go at length over some choices. Seitz, who has directed and is shifting to that pursuit, writes, “Well, the short of it is: I’m out of print criticism. tinycricket.gif I’ve been thinking about it for a while and for a variety of reasons. One of them is that I’ve been doing it for 17 years now as of May of this year, and I’ve done it for a variety of different outlets in a variety of different forms. I’ve enjoyed it… I’ve always enjoyed it, but I just don’t want to do it anymore. Part of the reason for that is that I don’t write as quickly as I used to and I don’t have as much time to do it as I used to. But the more important thing is that, according to the actuarial tables, I’m probably about halfway through my life, if I’m lucky. And there’s a lot of things Rain that I would like to do, and I haven’t done them yet. And I want to get started on it… [I]n all honesty I write a lot more slowly than I used to, and I have a lot less patience with print than I used to. When I’m writing, when I’m doing pieces in print, that are print only, I find my mind starting to wander, and I’m thinking about movies. I’m thinking about watching movies and making movies and I’ll go off and start storyboarding thepuppet movie. Or I’ll start combing through my DVD collection looking for scenes of a similar type. Like one night I went through my DVD collection and looked for scenes in movies that reference the famous shot of the bouncing ball in M… There’s more to life than movies, and I don’t think that, 10 years ago, I don’t think I would have said that. But I’m saying it now: there is more to life than movies. And I remember a conversation with Sean Burns—I think it might have been in the comments section of the blog—he Dawn raincasually mentioned that Gene Siskel, God rest his soul, was… there was somebody who looked down on Siskel for saying that he skipped some film festival to go to a basketball game. And Burns was completely approving of [Siskel], and I am too. I am too: Go to the goddamn basketball game! And when I look back on those hundreds and hundreds of hours that I spent watching movies—many of which were not that memorable, and many of which did not tell a whole lot that I didn’t know—when I realized that they were hours that are gone now and I’m not getting them back… It makes me mad. It makes me mad, honestly, that I’m not gonna get those hours back. You know those are hours I could have been spending with my family. With my loved ones.” [A few thousand more worthy words at the link.]

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“I think [technology has[ its made my life faster, it’s made the ability to succeed easier. But has that made my life better? Is it better now than it was in the eighties or seventies? I don’t think we are happier. Maybe because I’m 55, I really am asking these questions… I really want to do meaningful things! This is also the time that I really want to focus on directing. I think that I will act less and less. I’ve been doing it for 52 years. It’s a long time to do one thing and I feel like there are a lot of stories that I got out of my system that I don’t need to tell anymore. I don’t need to ever do The Accused again! That is never going to happen again! You hit these milestones as an actor, and then you say, ‘Now what? Now what do I have to say?'”
~ Jodie Foster

“If there’s one rule Hollywood has metaphysically proven in its century of experimentation, it’s that there’s no amount of money you can’t squander in the quest for hits.

“Netflix has spent the past couple years attempting to brute-force jailbreak this law. Its counter-theory has seemed to be, sure, a billion dollars doesn’t guarantee quality but how about three billion dollars? How about five billion dollars? Seven?

“This week’s latest cinematic opus to run across no-man’s-land into the machine-gun emplacements has been the Jared Leto yakuza movie ‘The Outsider.’ Once again, debuting on Netflix, another thing called a movie that at one glance doesn’t look like any kind of movie anyone has ever seen before, outside of off-prime time screenings at the AFM.

“If you’re working at a normal studio, you have one or two of these total misfires in a year and people start calling for your head. How many is Netflix going on? Fifteen? Twenty? This quarter? Any normal company would be getting murdered over results like that.”
~ Richard Rushfield