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Ray Pride

By Ray Pride Pride@moviecitynews.com

Sundance on Ice (day seven)

Gondry


Michel Gondry. [Interview, Four Seasons Hotel, Chicago.]

Wintonick

Peter Wintonick, documentary director, producer and Agora advocate. [Main Street.]

Line

Wait list. [Yarrow I, Yarrow Hotel, Park Avenue.]


Joseph O'Brien


Young Joseph O’Brien brought his guitar up the hill. [Yarrow Hotel.]

Dealing

Dealing. [Sundance Channel party, 350 Main, Main Street.]

Teh Dude

Jeff Dowd, teh Dude. [Sundance Channel party, 350 Main, Main Street.]

Narrative

Matthew Lessner, director of the short By Modern Measure. [Filmmaker-Journalist confab, Shabu, Main Street.]

Mickey Cottrell

Master-tician Mickey Cottrell, one of the fathers of the annual “Homo Away From Home” Party. [Queer Lounge, Main Street.]

A film festival in a box

Film festival in a box. [Yarrow]

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch