The Southeastern Film Critics Association

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

BEST PICTURE
1. No Country for Old Men
2. There Will Be Blood
3. Atonement
4. Juno
5. Michael Clayton
6. Zodiac
7. The Assassination of Jesse James by the Coward Robert Ford
8. Gone Baby Gone
9. The Diving Bell and the Butterfly
10. Into the Wild

BEST ACTOR
Daniel Day-Lewis – There Will Be Blood
* Runner-up: George Clooney – Michael Clayton

BEST ACTRESS
Julie Christie – Away from Her
* Runner-up: Ellen Page – Juno

BEST SUPPORTING ACTOR
Javier Bardem – No Country for Old Men
* Runner-up: Casey Affleck – The Assassination of Jesse James by the Coward
Robert Ford

BEST SUPPORTING ACTRESS
Amy Ryan – Gone Baby Gone
* Runner-up: Cate Blanchett – I’m Not There

BEST DIRECTOR
Joel & Ethan Coen – No Country for Old Men
* Runner-up: J oe Wright – Atonement

BEST ORIGINAL SCREENPLAY
Diablo Cody – Juno
* Runner-up: Tamara Jenkins – The Savages

BEST ADAPTED SCREENPLAY
Joel & Ethan Coen – No Country for Old Men
* Runner-up: Christopher Hampton – Atonement

BEST FOREIGN LANGUAGE FILM
The Diving Bell and the Butterfly (France)
* Runner-up: La vie en rose (France)

BEST DOCUMENTARY
No End in Sight
* Runner-up: Sicko

BEST ANIMATED FEATURE
Ratatouille
* Runner-up: The Simpsons Movie

WYATT AWARD
Waitress
* Runner-up: Black Snake Moan

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“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray