By David Poland email@example.com
Did You Hear The One About…
… the Hollywood union that screwed the foreign journalists?
By the time the AMPTP/WGA negotiations go official later this week or early next week, the deal will be very close to done. Only some form of insanity on one side or the other will keep that from happening.
Today, the WGA waiver for The Grammys was made official… though the decision not to picket last week made this a fate accompli.
I am happy the strike will soon be over and that the WGA’s deal will not be embarrassing. But someone should probably be willing, against political logic, to point out how grotesque some of the attitude that still comes from the WGA in deigning to allow the recording industry its awards show.
To wit, ” ‘Professional musicians face many of the same issues that we do concerning fair compensation for the use of their work in new media,’ WGA West president Patric Verrone said Monday. ‘In the interest of advancing our goal of achieving a fair contract, the WGAW board felt that this decision should be made on behalf our brothers and sisters in the American Federation of Musicians and the American Federation of Television and Radio Artists.’ ”
The AMPTP deal is around the corner and pissing off more people is not in WGA’s interest… period. The WGA is most aggressively trying to make sure that TV and film writers don’t get their guts ripped out in the new media era the way that songwriters have.
But more importantly, there is something so arrogant and petty about lording it over a bunch of frickin’ awards shows. How many millions of dollars did WGA take out of the pockets of union members by shutting down The Golden Globes? And not just union members, but union members – like hotel staff and tv production personnel – who aren’t the ones on camera… aka the ones who actually need the money.
Let me say it again… I support the WGA’s goals in this labor action. 100% But when this is all over, we ALL need to consider what happened. It’s all too easy to say, “Fuck HFPA,” which now appears to be the only awards show that will actually pay a price – a steep one – in this strike. Isn’t the basic idea of democracy and the core of morality the embrace of the freedom and respect of the least popular?
(And by the way… John Ridley isn’t any hero. I agree with some of his concerns, but cutting and running is not any better than a group of thoughtful people having their daily discourse devolve into a fascist disinterest in a wider range of ideas. A thinking adult fights the fight until the fighting is done. And then you fight for a better future so the next fight is less bloody.)
The awards season can be an endless bore. And for most people in the media and industry, this kink at The Golden Globes was more invigorating than the show going on as usual. Plenty of people would be just as happy to see all the awards shows go away. (Others are con artists who scream about how inconsequential awards shows are, but then announce their awards intentions months early in search of ads and then return from their alleged sick beds to “cover” nominations. But I digress…) But if we start basing our moral notions on what we like then most of the WGA members shouldn’t bother to go back to work after the strike ends. (And yes, that applies for all artists across the industry in all arenas.)
Let’s take the lessons that have been learned in this strike – especially the ability to mobilize the independent media – and work a lot harder next time to avoid having a strike at all. Let’s start discussing the real issues months before the deadlines and not weeks. Let’s see the kind of effort made by the creative community to make its points – like Speechless – before the money clock starts running on everyone who lives off of this industry.
Maybe shutting down The Globes and striking in November were key to the settlement to come. Maybe 100%. Maybe 70%. Maybe 40%. Maybe not at all. What we do know is that the men and women of the negotiating committee moved forward with the most honorable intentions and belief that action was absolutely needed in order to get a decent contract. What we also know is that AMPTP didn’t flinch, doing almost exactly what was expected from early on.
The water under the bridge should wash away much of the angst… and hopefully, create a reservoir of thoughtfulness about how to do it better next time. And I hope that when push comes to shove again that the first idea is not, “First, let’s kill all the awards shows.”