Dallas-Ft. Worth Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Best Films

1. No Country for Old Men
2. Juno
3. There Will Be Blood
4. Atonement
5. Michael Clayton
6. Into the Wild
7. The Diving Bell and the Butterfly
8. The Kite Runner
9.The Assassination of Jesse James
10. Charlie Wilson’s War

Best Actor
Daniel Day-Lewis

Best Actress
Julie Christie

Best Supporting Actor
Javier Bardem

Best Supporting Actress
Tilda Swinton

Best Director
Joel Coen and Ethan Coen

Screenplay
Juno, Diablo Cody

Best Animated Film
Ratatouille

Cinematography
Roger Deakins, Assassination of Jesse James

The association voted ONCE as the winner of the Russell Smith Award, named for the late Dallas Morning News film critic. The honor is given annually to the best low-budget or cutting-edge independent film.

The Dallas-Fort Worth Film Critics Association consists of 32 broadcast, print and online journalists from throughout North Texas. For more information, visit www.dfwfilmcritics.com.

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“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman