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Hallick on: Superman & How I Analyze Movies
jepressman on: Superman & How I Analyze Movies
Joe Leydon on: Superman & How I Analyze Movies
Windy City on: The Great Gandolfini
Tuck Pendelton on: The Great Gandolfini
berg on: The Great Gandolfini
PcChongor on: The Great Gandolfini
Keil S. on: The Great Gandolfini
djiggs on: The Great Gandolfini
Superman & How I Analyze Movies
Trailer: The Wolf of Wall Street
Weekend Estimates by Man of Klady
DP/30: My Day In Video from Michael Cera to Costa-Gravas
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater–Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

is it wrong that i want the strike to end so i no longer have to endure these awful attempts at humor?
its painful.
Good Lord. I made the mistake to watch this video. (I succefully avoided all the others).
Writers are overpaid.
I’m not too sure. If the writers are on strike, I get the feeling that the person (people?) behind this are not actually writers. The jokes are incredibly lame.
I say bring an end to the strike so we don’t have to endure cruddy rewrites by non-writers.
The talented writers are finding better things to do with their time, I’m sure.
This stuff never ends. The perils of having a writers strike in this modern technological age. Balls. Total and utter balls.
Well the writers are always saying that they’re striking for the guys out there who don’t make the big bucks. Maybe the hacks that wrote that video are some of the guys they are referring to.
THE WGA: WE STRIKE FOR THOSE WHO WRITE CRAP AND DO NOT GET PAID VERY MUCH FOR IT!
A recurring sentiment echoed in a few comments above and in the general discourse is that somehow everyone in WGA is automatically a genius, and any prospective “scab” or non-professional fill-in/substitute “writer” would have to be some talentless hack.
Let’s not forget there are brilliant, witty, incisive, clever writers all over LA (hell, all over the country) who might be every bit as talented as your typical WGA member, but didn’t have the connections, the family name, or the stroke of luck to get into the guild, and probably never will.
I don’t know, it just kind of rubs me the wrong way when I hear, “Can the REAL writers come back to work…” as if the “magical,” arbitrary and fortuitous accumulation of WGA points somehow turns one into some Faulkner.
The REAL WRITERS of the SHOWS that we love, need to come back to work. Excuse people for not clarifying enough for you.
I would agree with you, Lex, but I did suddenly become an amazing writer the second my Guild card came in the mail.
Up until that moment, I totally sucked.
I too watched the first bit and then quickly turned it off. Really really lame. Surely with all of these writers out of work someone could come up with something clever. Jeez.
These comments made me laugh. You expect “A” material for free? This was just something I slapped together on my laptop in under an hour. It wasn’t even “written” per se so it doesn’t represent any Guild members except moi. This little ditty was intended “for the room,” replicating all the moves that have taken place on our chess board where the striking writers are lowly pawns trying to upgrade to rooks, so I never expected it to play in Peoria… or in your cases, Duarte.
And to my friend BTLine, use spell check.
RDP: So all I need is a Guild card? Or are there some writers even a Guild card can’t help?
Alan, I’m apologizing for my dumb comment above (as bipedalist). It is a stupid thing to say – we all can be so easily cruel on the net and it’s so wrong. I am well known for putting my foot in it over and over again.
Sorry.
Thanks bipedalist. What I hate hearing is all the maligning of WGA members as some sort of collective schadenfrued. Posters like these folks keep calling us a bunch of hacks who are “overpaid” and it’s all bulls**t. Seeing our work endlessly streamed without compensation while advertising revenue is being generated is beyond maddening. Our opposition is actually trying to maintain their own brand of legalized piracy.
“RDP: So all I need is a Guild card? Or are there some writers even a Guild card can’t help?”
If it worked for me. It can work for anyone.
An hour working on shit doesn’t make for an excuse of shit. Sorry, someone had to say it. The fact of the matter is that even if you’re not speaking for the entire WGA, the fact that you’re representing their interests in the video, people will perceive it as the WGA having something to do with this.
So my question is, what exactly would your “A” material look like these days?
Hey, Aladdin. I guess I’ve forgotten anonymous posting is invariably about schadenfued and rage. Nobody mistakes the multitude of videos on You Tube as being official WGA handiwork, although they do condone the assorted messages. I probably should have ignored this thread altogether, but I do have way too much time on my hands between picketing and planned disruptions. I have no control over the blogs who subsequently picked up on it and spread it wider than planned.
With a strike on, I can’t do much… but I will have my first book published in the fall.
Anyhow, I’ll let you get back to your skinhead mixer.
In the future, if you want to contact me correctly with your real name, feel free.
Skinhead mixer. That was funny.
It’s the internet stupid. I doubt you or I would have anything to gain if I was to reveal my true name. I’m so far outside the business, I may as well be on Mars.
“Skinhead mixer. That was funny.”
It was a reference to a post you made on another board.
“It’s the internet stupid. I doubt you or I would have anything to gain if I was to reveal my true name. I’m so far outside the business, I may as well be on Mars.”
I was just calling you out for an anti-semetic “joke” you made on another message board. Pseudonym or not, I’ve just emailed the blogger and recommend it be deleted.
Trust me, what you posted there was the height of stupidity.
I’m not too sure what you’re talking about now, so maybe you’d like to point it out to me.
if you care to see some clever stuff from the writers, i would recommend punching in “strike life” in youtube. there are a series of them and i think most are quite clever.