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Ray Pride

By Ray Pride Pride@moviecitynews.com

Mike Nichols and Aaron Sorkin on "killing rage" and keeping "the process" hidden

Excerpts from a terrific conversation with Mike Nichols and Aaron Sorkin and Christopher Goodwin of the Times of London about writing. “A recent blog said the 9/11 resonances were more explicit in an earlier version of the script, which ended with Charlie Wilson on September 11, 2001, in his apartment in Washington, seeing plumes of smoke coming from the attack on the Pentagon,” Goodwin poses. Sorkin: “It’s a whole new critical world out there, where it’s not just the final product that is being judged, and it is being comparedDOM3Z2GOZ5RHLNe.jpg to various drafts that were obviously only meant for Mike to see. There were many, many hours of discussion about that scene, and I was the staunchest keep-the-scene-in guy. I watch the movie now and have never been so happy to be wrong in my life.” Nichols adds, “You know what we are really talking about, Aaron, the reason you and I have a moment of confusion and discomfort, not to say killing rage, is that we always have the problem that whatever we are working on is being judged, which is no fun. The whole point is that the process is nobody’s business. It would be like saying, ‘Thomas Mann stands at the mantelpiece to write: isn’t that sort of a strange thing to do, and to do in front of the rest of his family? He can’t sit at a desk like everybody else?’ Who gives a shit?” Sorkin: “Too many people are watching how you make the sausage now – and there is an assumption that your motives, whether it’s overcutting a scene or reshooting a scene or putting in a new scene or changing this line to that, are somehow sinister or mercenary or motivated by fear… I am all for everyone having a voice, I just don’t think everyone has earned the microphone. And that’s what the internet has done.” Nichols: “On the one hand, there is this blight of correctness, which teaches you to lie about everything that is your instinct and your feeling, and to take a dip of the pabulum and dish it out, because at least it’s correct. At the same time, you’ve got shit on television such as ‘Dancing with the Stars’ and ‘American Idol.’ What’s going to happen to young people? I don’t know.”


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“There are different signs that this is not stopping. I don’t think that anger and frustration and those feelings can go away. I hope they don’t. The attention and support for the victims needs to be continued, more than people worried about these abusers and what’s next for them, how are they going to move on — shut up. You know what? If any of these people come back, I would say, “I can’t wait to see who is actually going to support them.” That is going to be the glaring horror. Who is going to be, like, “This is a pressing issue, and we need to get them back?” If a janitor was so great at cleaning the building but also tended to masturbate in front of people, would the people at that building be like, “Yes, he masturbated, but I’ve never seen anyone clean so thoroughly, and I was just wondering when he’s going to get his job back, he’s so good at it.” No, it would be, “That’s not acceptable.” It’s fame and power that people are blinded by.”
~ Tig Notaro in the New York Times

“It’s never been easy. I’ve always been one of the scavenger dogs of film financing, picking up money here and there. I’ve been doing that all my life. This was one was relatively easy because certain costs have gone down so much. I made this film in 20 days whereas 30 years ago, it would have been made in 42.”
~ Paul Schrader