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Ray Pride

By Ray Pride Pride@moviecitynews.com

Coen groaners: one particular chicken

John Patterson in the Guardian: “Much of the dialogue in No Country is taken from the book almost word for word. Joel: “Ethan once described the way we worked together as: one of us types into the computer while the other holds the spine of the book open flat. That’s why there needs to be two of us – otherwise he’s gotta type one-handed. That’s how you ‘collaborate’ with someone else.” Ethan: “Paperback novels just won’t lie open properly! They flip shut.” ne wonders what a sci-fi movie by the Coens – who have done noir, screwball, a kind of western, even a musical of sorts – would look like. “Neither of us is drawn to that kind of fiction,” says Ethan of sci-fi. “There are movies that we both like. I don’t know that that would ever happen, and I don’t quite know why.” Joel knows: “I don’t think we could get our minds around the whole spacesuit thing.” Instead, they have a script of their own that they’d like to film. “We’ve written a western,” says Joel, “with a lot of violence in it. There’s scalping and hanging … it’s good. Indians torturing people with ants, cutting their eyelids off.” Ethan: “It’s a proper western, a real western, set in the 1870s. It’s got a scene that no one will ever forget because of one particular chicken.”

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