Z
MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

New Idea

This came via e-mail with a 5mg attachment that I can’t recreate on the blog. But interesting…
November 20, 2007
Dear Broadcast Film Critic member,
We are pleased to send you a downloadable MP3 of

12 Responses to “New Idea”

  1. TMJ says:

    What’s interesting, DP? It seems like a smart way to reach savvy BFCA voters.

  2. Alan Cerny says:

    I’m confused about how this song is eligible since it was on two different CDs before the film was released. Anyone want to enlighten me?

  3. Alan Cerny says:

    Can someone enlighten me on how “Falling Slowly” is eligible when it was on two different CDs before the film came out? I have no problems with it being nominated, but I thought the eligibility rules for songs were strict in that they had to be created specifically for the film.

  4. Moviezzz says:

    I was about to say the same thing. While I love the song and the movie, it was a recorded and released on an album (THE SWELL SEASON) before the film.
    Since Oscar music has some of the strictest criteria, I wouldn’t think it would be eligible.

  5. montrealkid says:

    What’s interesting is that in this paranoid age of piracy a major studio would choose to EMAIL an mp3 file to critics (that of course, could be forwarded to anyone they so choose).

  6. aframe says:

    “Falling Slowly” was written and recorded for the film in early ’96, and then the versions on THE SWELL SEASON album and the one Hansard recorded with The Frames were done. There was some talk about this during the summer as Searchlight was working with the Academy to determine which tunes were eligible, and the song passed the test since the song was written and recorded especially for the film, which just happened to be released after the other version–remember there was some doubt as to what type of release the film would receive, if any, so they hedged their bets and later included it in other works.

  7. aframe says:

    oops, I meant early ’06.

  8. aframe says:

    oops, I meant early ’06. In any event, there was an article I remember reading that cleared up the whole timeline.

  9. Kambei says:

    It was written & recorded specifically for the film, along with several other tracks. I would also love to see “If you want me” or “when your mind’s made up” make the final cut. For once, the song category should be pretty crowded and competitive this year.

  10. aframe says:

    Actually, the only two tunes Searchlight is pushing per what’s printed on the awards screener are “Falling Slowly” and “If You Want Me”–I’m assuming they didn’t want to split the vote too much.

  11. crazycris says:

    They must definitely not be worried about piracy… because Falling Slowly is available for download on the movie’s website!
    Which I was more than delighted to discover after coming home from seeing the film last night! What a delightful story and beautiful music! More than worthy of the oscar for this song!!!
    Movie music aside, discovering The Frames is an added bonus! I just picked up their two most recent albums from the library…

  12. Yeah, the songs were written for the film, but because it took so long to get a release they received an album release beforehand.
    Which is sort of the opposite of “Come What May”, which was written for Romeo + Juliet but never recorded and then it was for Moulin Rouge! and was deemed ineligible.

Leave a Reply

Quote Unquotesee all »

“The evening’s curious vanity and irrelevance stay with me, if only because those qualities characterize so many of Hollywood’s best intentions. Social problems present themselves to many of these people in terms of a scenario, in which, once certain key scenes are licked (the confrontation on the courthouse steps, the revelation that the opposition leader has an anti-Semitic past, the presentation of the bill of participants to the President, a Henry Fonda cameo), the plot will proceed inexorably to an upbeat fade. Marlon Brando does not, in a well-plotted motion picture, picket San Quentin in vain: what we are talking about here is faith in a dramatic convention. Things “happen” in motion pictures. There is always a resolution, always a strong cause-effect dramatic line, and to perceive the world in those terms is to assume an ending for every social scenario… If the poor people march on Washington and camp out, there to receive bundles of clothes gathered on the Fox lot by Barbra Streisand, then some good must come of it (the script here has a great many dramatic staples, not the least of them in a sentimental notion of Washington as an open forum, cf. Mr. Deeds Goes to Washington), and doubts have no place in the story.”
~ Joan Didion On Hw’d In 1970

CAMPION: We were driving around the countryside the other day, and we happened to chance upon a lone bull and cow going through some sex rituals. I was so surprised to see how lengthy the whole process was for this bull. He started licking the cow’s shin and worked his way quite laboriously up toward her ass. And every now and again, you thought, “Maybe she’s ready now—he’ll try a quick move.”
TAYLOR-JOHNSON: She wasn’t ready.
CAMPION: She made it clear that that wasn’t the case. We couldn’t even wait; it was like 15 minutes, but it was really adorable. Even when we came back, they were still at it. The foreplay was phenomenal.
TAYLOR-JOHNSON: You don’t think of animal love in that way.
~ Jane Campion And Sam Taylor-Johnson in Interview

Z Z