MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

New Idea

This came via e-mail with a 5mg attachment that I can’t recreate on the blog. But interesting…
November 20, 2007
Dear Broadcast Film Critic member,
We are pleased to send you a downloadable MP3 of

12 Responses to “New Idea”

  1. TMJ says:

    What’s interesting, DP? It seems like a smart way to reach savvy BFCA voters.

  2. Alan Cerny says:

    I’m confused about how this song is eligible since it was on two different CDs before the film was released. Anyone want to enlighten me?

  3. Alan Cerny says:

    Can someone enlighten me on how “Falling Slowly” is eligible when it was on two different CDs before the film came out? I have no problems with it being nominated, but I thought the eligibility rules for songs were strict in that they had to be created specifically for the film.

  4. Moviezzz says:

    I was about to say the same thing. While I love the song and the movie, it was a recorded and released on an album (THE SWELL SEASON) before the film.
    Since Oscar music has some of the strictest criteria, I wouldn’t think it would be eligible.

  5. montrealkid says:

    What’s interesting is that in this paranoid age of piracy a major studio would choose to EMAIL an mp3 file to critics (that of course, could be forwarded to anyone they so choose).

  6. aframe says:

    “Falling Slowly” was written and recorded for the film in early ’96, and then the versions on THE SWELL SEASON album and the one Hansard recorded with The Frames were done. There was some talk about this during the summer as Searchlight was working with the Academy to determine which tunes were eligible, and the song passed the test since the song was written and recorded especially for the film, which just happened to be released after the other version–remember there was some doubt as to what type of release the film would receive, if any, so they hedged their bets and later included it in other works.

  7. aframe says:

    oops, I meant early ’06.

  8. aframe says:

    oops, I meant early ’06. In any event, there was an article I remember reading that cleared up the whole timeline.

  9. Kambei says:

    It was written & recorded specifically for the film, along with several other tracks. I would also love to see “If you want me” or “when your mind’s made up” make the final cut. For once, the song category should be pretty crowded and competitive this year.

  10. aframe says:

    Actually, the only two tunes Searchlight is pushing per what’s printed on the awards screener are “Falling Slowly” and “If You Want Me”–I’m assuming they didn’t want to split the vote too much.

  11. crazycris says:

    They must definitely not be worried about piracy… because Falling Slowly is available for download on the movie’s website!
    Which I was more than delighted to discover after coming home from seeing the film last night! What a delightful story and beautiful music! More than worthy of the oscar for this song!!!
    Movie music aside, discovering The Frames is an added bonus! I just picked up their two most recent albums from the library…

  12. Yeah, the songs were written for the film, but because it took so long to get a release they received an album release beforehand.
    Which is sort of the opposite of “Come What May”, which was written for Romeo + Juliet but never recorded and then it was for Moulin Rouge! and was deemed ineligible.

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“With every table in the dining room occupied and me, the only waiter, neglecting the needs of a good fifty patrons, I approached Roth. Holding out Balls as a numbness set into the muscles of my face, I spoke. “Sir, I’ve heard you say that you don’t read fiction anymore, but I’ve just had my first novel published and I’d like to give you a copy.”

“His eyes lifting from his iPhone, he took the book from my hands. He congratulated me. Then, staring at the cover, he said, “Great title. I’m surprised I didn’t think of it myself.”

“These words worked on me like a hit of morphine. Like two hits. It felt as if I was no longer the occupant of my own body. The legs had gone weak, the ears warmed, the eyes watered, the heart rate increased rapidly. Barely able to keep myself upright, I told him, “Thank you.”

“Then Roth, who, the world would learn sixteen days later, was retiring from writing, said, in an even tone, with seeming sincerity, “Yeah, this is great. But I would quit while you’re ahead. Really, it’s an awful field. Just torture. Awful. You write and write, and you have to throw almost all of it away because it’s not any good. I would say just stop now. You don’t want to do this to yourself. That’s my advice to you.”

“I managed, “It’s too late, sir. There’s no turning back. I’m in.”

“Nodding slowly, he said to me, “Well then, good luck.”

“After which I went back to work.”
~ Julian Tepper

“Any form of physical or sexual assault is a very serious matter, potentially a legal matter. But I’m also wondering, what about having some kind of “extreme asshole” clause? I know lots of people who have been abused verbally and psychologically. That’s traumatizing, too. What do we do with that?  It takes a lot of energy to be an asshole. The people I admire most just aren’t interested in things that take away from their ability to make stuff. The people I really respect, and that I’ve met who fit this definition, have a sense of grace about them, because they know that there is no evolving and there is no wisdom without humility. You can’t get better if you behave in a way that shuts people off. You can’t! You don’t have all the ideas necessary to solve something. You don’t! I’m sure if you spoke to Harvey in his heyday and said to him what I just said to you, he would believe that he accomplished all that he had because of the way he behaved.”
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