
By David Poland poland@moviecitynews.com
I've Got Spirit, How About You?
A rather odd list from the Indie Spirit crew this year. No one can really accuse the group of pandering to celebrity with its version of Best Picture

A rather odd list from the Indie Spirit crew this year. No one can really accuse the group of pandering to celebrity with its version of Best Picture
Krillian on: 20 Weeks To Oscar: Rush To Poor Judgment?
Kristopher Tapley on: 20 Weeks To Oscar: Rush To Poor Judgment?
Kristopher Tapley on: 20 Weeks To Oscar: Rush To Poor Judgment?
Hallick on: 20 Weeks To Oscar: Rush To Poor Judgment?
Joe Parts on: Welcome To The Future
qbtqpidc on: Oscar Morning Coming Down
IOv3 on: 20 Weeks Extra: Could There Be One More Turn?
leahnz on: 20 Weeks Extra: Could There Be One More Turn?
20 Weeks To Oscar: Rush To Poor Judgment?
20 Weeks Extra: Could There Be One More Turn?
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

I get to vote in this every year and the randomness of the nominations baffle me. I remember when “The Sweet Hereafter” was considered a foreign film, but now “Diving Bell” isn’t, but “Once” is?
They also have a tendency for nominating unexceptional performances while ignoring great ones. How do you nominate “The Savages” in all those categories and omit Picture and even worse, Laura Linney, for Actress when her performance was what made the movie for me? Or was Marisa Tomei the only performance in “Before The Devil” worth nominating?
It’s beginning to look like The Golden Globes have more integrity than the ISP awards. Frigging nuts.
But it was nice to see “Lake of Fire” get some love. That is hand’s-down the best doc I’ve seen all year.
Perhaps even the Indie Spirit people found the premise of Lars and the Real Girl off-putting. Or, the flip side, they found it not off-putting enough (I personally wish it had been made by Cronenberg with all that entails).
You really CAN’T be suggesting Lars is Cronenberg material if you have seen it, J-Mc. Can’t.
I’m saying I would have liked it better if it had been.
To qualify for the Spirits, a film has to be “American” in the same way, I suppose, that a foreign Oscar selection has to be “from” the submitting country. By which they mean the creative principals (director/writer/producer) are from that country. That’s why Diving Bell is American (Schnabel/Kennedy) and not French. I guess that’s also why Away From Her (Canada) and Once (Ireland) aren’t eligible in any category other than foreign film. Crazy, I know.
HUGE HUGE HUGE PROPS to Aaron Katz/QUIET CITY getting a Cassavettes Award nomination!!!!! Holy shit….that’s HUGE!! Such an outstanding little film…
Christ the ISAs are so stupid. On one hand it’s utterly baffling that they didn’t nominate Linney (or Kidman for that matter), but I’m glad Sienna Miller is getting some awards love. It really is bizarre though.
Maybe they can finally get around to releasing Paranoid Park though. I’m slightly desperate for new Van Sant.
For my money, Manufactured Landscapes was the best movie of 2007. Should please fans of Baraka and An Inconvienient Truth. The opening tracking shot of a Chinese iron making factory is one of the most stunning openings I’ve ever seen.
Why doesn’t Lars get nominated for best foreign picture? It was shot in Canada, after all-even though they hint at Michigan in the office.
That seems to be the quintessential Canadian story.
SPOILER?
You leave someone alone, mostly. When he responds by getting weird, everyone adjusts a little until he heals.
Dave, you’re selling Juno short!! The Academy that in recent years honored Eminem, The Departed, Three Six Mafia, and Crash is not going to be turned off by a teenage pregnancy… especially one as heartwarming and well done as Juno. If anything, I think it stands a better chance at winning than last year’s lighter BP nominee, Little Miss Sunshine, because it is the ONLY real feel-good film that is likely to make the nomination cut. People of all ages respond to it–laughing, crying, whatever–in large part because the joke is that Ellen Page is a smartass adult stuck in a 20 year old body. And Dave… she is SO good. When voters walk out of that screening drying their tears and with a big smile on their face… I’m telling you, man!