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Ray Pride

By Ray Pride Pride@moviecitynews.com

Dept. of Ouch: a festival's notice on a filmmaker

2054968274_d26aec4698_m.jpgOn Saturday at the Thessaloniki International Film Festival, the 48th edition, Diego Luna showed his directorial debut JC Chavez, a documentary about a Mexican boxer, and conducted an acting-directing-producing masterclass. After the departure of he and his producing partner (with Gael Garcia Bernal), Pablo Cruz, the festival issued a notice to journalists and also placed in public areas this notice, with bold red borders:
ANNOUNCEMENT:
CANCELLATION OF SCREENING OF THE FILM JC CHAVEZ, SATURDAY, NOVEMBER 24TH, 12.00, FRIDA LIAPPA
We regret to inform you that today’s (second) screening of the film JC CHAVEZ, directed by Diego Luna, is cancelled.
The responsibility for this regrettable decision lies with the film’s producer, Pablo Cruz, who attended this year’s Festival as a guest along with Diego Luna.
Mr. Cruz demanded to take the film print with him for a screening in London, despite the fact that he had been notified before the start of the Festival about the 2 screenings.
Despite the production company’s assurances that a BETA tape would be forwarded to us instead of the print, in order for the second screening to take place as programmed, the tape has not arrived in Thessaloniki at the moment of going to press. [Photo: Ray Pride.]

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

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~ Björk to Jessica Hopper at Pitchfork