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Ray Pride

By Ray Pride Pride@moviecitynews.com

The Reeler talks Last Winter (and Hostel) with Larry Fessenden

fessenden_365.jpg“As someone who makes strong horror films with unmistakably thematic interests, how do you react to directors like Eli Roth,” queries S. T. Van Airesdale over at The Reeler “and others who retroactively attempt to defend their own work with such metaphorical or thematic values?” Larry Fessenden, whose latest is the global-warming horror, shot in Iceland Last WInter, following his equally snowy Wendigo, replies, “It’s funny you ask. I just watched Hostel for the first time; I didn’t enjoy or find the merits of Cabin Fever, so I had somewhat written Eli off. I know he’s always whining in the press, defending his movies, so I thought I should see Hostel. In fact, I was asked to write something about my movie versus torture porn. I watched it and I didn’t find it offensive the way I thought I would. I thought I would find it contemptible. Sure, it’s homophobic in the sense that he’s got some issues, but it’s not like he’s not aware that he’s not dealing with that sort of thing. The sexual politics and the hatred of Americans was interesting enough, and the torture did not seem extraneous. It was obviously the point of the movie, and it was scary and doled out pretty tastefully considering the whole thing is repugnant. I think some of the later Saw movies are truly perverse, and a lot of the remakes have no agenda whatsoever. I’ve been thinking about it a lot, because some people hate The Last Winter, of course, and you get into this thing where it becomes hard to discuss. My movies have themes; I present them without shame. I’m a sincere filmmaker, and fuck it if you can’t take that. As for Eli, he does protest too much. I do find him unappealing as a public figure, but he’s making his money, so whatever. He can always say that, and he always does, and I also find that tiresome. The worst pieces of shit make money; it’s hardly an excuse. It hardly represents how well he’s doing. But I couldn’t completely dismiss Hostel.”

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What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris