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David Poland

By David Poland

Not New, But…

8 Responses to “Not New, But…”

  1. scooterzz says:

    not new but timeless……

  2. I had never seen that and it’s hi-llarious!!

  3. lazarus says:

    The more you watch Bert the more he looks like DeNiro. And Ernie,,,well he’s short, like Pesci.
    DP, you should link to that “Martin Scorsese’s Sesame Streets” under it. They’re kind of a set, no?

  4. anghus says:

    that was excellent. here’s the funniest thing i’ve ever seen on youtube.

  5. IOIOIOI says:

    Fucking hell, anghus. Fucking hell. That left me grasping for air for a minutes. Jesus. I do not know what’s funnier: CHALLENGE PISSING or the fact this commercial may have aired on over the air TV. Nevertheless; that’s some good shit right there.

  6. You guys are killing me…I’ll never get to work today…

  7. Josh Massey says:

    Anghus: That works better than all of the fake trailers combined because the voiceover sounds real. Most of these trailers (Shining, Muppets, whatever) are well-made, but suffocated by awful monotone voiceover.

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch