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Trailer: The Wolf of Wall Street
Weekend Estimates by Man of Klady
DP/30: My Day In Video from Michael Cera to Costa-Gravas
Review: Man of Steel (spoilers)
“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass
“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true. Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television? Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg

“YO HO! YO HO! AN ECONOMICALLY DRAINING, ARMED FORCES DEPLETING, AND QUAGMIRE OF A WAR… FOR ME!”
Officer: “They are singing Lord Beckett.”
Lord Beckett[bemused]: “Oh snap.”
Well, at least on the bright side, his Q Score will definitely go up.
Does he get a love scene with Keira?
Change of subject. Not sure who votes in those polls on IMDb, but they have one today asking what September release people are most anticipating and the #1 atm is 3:10 to Yuma. Surprise?
NEXT gig? How much booty does one have to pirate in order to be recognized as the greatest of them all?
Big Time!
not too surprised 310 has Bale and Crowe, Walk the Line cachet and a ton of tv ads playing for the last two-three weeks. I mean noone knows Brave One, Eastern Promises, Across the Universe, Lust Caution, Darjeeling, Jesse James and Into the Wild are coming out at this point, the other big commercial film in September will probably be the Kingdom, but that’s at the end of the month, and the TV ads for it won’t gear up until the Saturday/Sunday football games at least.
That poll is just registering name recognition and the fact that 3:10 comes out the first weekend of the month.
Here’s an interesting thought, what films are going to open more than 30 million from September until December. How about more than 50 million?
more than 30:
310 to Yuma
The Kingdom
Heartbreak Kid
Rendition
Saw IV
Mr. Magorium’s Wonder Emporium
Enchanted
National Treasure
Charlie Wilson’s War
more than 50:
American Gangster
Beowulf
The Golden Compass
I am Legend
Yes and somewhere, in a kinder, more just, wise and democratic alternate reality, Dubya, the current director of all those D.C. Pirates, has been replaced by Gore Verbinski…. or Bruckheimer…. or Mickey Mouse, or Minnie … or Daffy D- …oh, nevermind…
Don’t worry, in just a little over a year, you will have your Daffy Duck as president.
So you mean Obama, because Daffy is black?
I’m kidding.
Nicol shakes fist in air.
“Why you!?!?”
Well played.
Daffy Duck would certainly be a huge step up after Baby Huey.
If Yuma or Rendition open to over 30 million dollars, you will have execs screwing in the hallways at those distributors. If they open to 30 combined it will be a feat.
So here’s hoping it happens!
I’m really looking forward to Yuma as I love all of the talent involved but I’m thinking even a high teens opening would be a real stretch.
I have no idea what the TV spots are like but I know of nobody that really wants to see it.
Rendition goes down in flames. Worst performance of Reese’s modern career.
No one wants to see a film about the war on terror.
I think the total box office between Kingdom and Rendition might be 60 million total.
I just don’t see people running out to see these films unless they can market Kingdom as a military thriller and not a war on terror flick and hope it holds that way.
The Rendition trailer had people laughing when it showed. Reese’s screaming at the end was met with assorted mockery and groans.
Yeah, I don’t see Rendition or Yuma debuting to more than $20mil, let alone $30mil.
Will $50mil worth of people come out to see a 3 hour gangster flick (American Gangster). Pedigree notwithstanding, that sounds like a stetch.
Yeah, I don’t see Rendition or Yuma debuting to more than $20mil, let alone $30mil.
Will $50mil worth of people come out to see a 3 hour gangster flick (American Gangster). Pedigree notwithstanding, that sounds like a stetch.
aagh! My apologies. Sometimes this blog mocks me with it’s delayed reactions.