MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

The Reeler wonders what's not from a Bergman film

bergman_1.jpgTake it away, Stu: “I live kind of a pathetic little life in Jersey City, N.J. There’s the tiny apartment I just moved into, with the home office, two disused CD players, a stack of unpaid bills, an empty refrigerator and more dirty clothes than I can sometimes afford to wash. Traffic noise persists virtually around the clock. None of the bodegas in the neighborhood sell beer, and none of the liquor stores sell food. The last tenant took the air conditioners he pledged to leave behind. I’m too cheap to replace them. Across Montgomery Street is a church that I spy every day and from which a cloudburst of hymns sneaks through its three-story facade each weekend. It’s a Spanish-language church; I can’t make out a word of it. But there’s something very familiar about its weekday quietude — the boxy crosses and weathered wooden doors, the tiny vestibule tucked between the bases of twin spires, the faded blue and yellow windows against the sand-colored walls, an old, humble monolith that would apologize for its own symmetry if it could. In my lapses of workaday self-pity, I stare out the window and think, “It’s like a scene from a Bergman film.” Well, of course it is. Everything is like a scene from a Bergman film…” [Much more at the link.]

Comments are closed.

Movie City Indie

Quote Unquotesee all »

“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch