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Ray Pride

By Ray Pride Pride@moviecitynews.com

Schrader goes long on Bergman

I would not have made any of my films or written scripts such as Taxi Driver had it not been for Ingmar Bergman… He was an old man. But what he has left is a legacy greater than any other director. He made film-making a serious and introspective enterprise. No one had been able to pull that off until he showed up. I really wasn’t that interested in being a film-maker, except in the way that Bergman redefined what you could be as a film-maker. I think the extraordinary thing that Bergman will be remembered for, other than his body of work, was that he probably did more than anyone to make cinema a medium of personal and introspective value. Movies by nature are, of course, very commercially driven and very accessible. No one really used cinema as private personal expression in that way. Bergman showed that you could actually do movies that were personal introspections and have them seen by general audiences.” [Expanded at the link.]

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“There are different signs that this is not stopping. I don’t think that anger and frustration and those feelings can go away. I hope they don’t. The attention and support for the victims needs to be continued, more than people worried about these abusers and what’s next for them, how are they going to move on — shut up. You know what? If any of these people come back, I would say, “I can’t wait to see who is actually going to support them.” That is going to be the glaring horror. Who is going to be, like, “This is a pressing issue, and we need to get them back?” If a janitor was so great at cleaning the building but also tended to masturbate in front of people, would the people at that building be like, “Yes, he masturbated, but I’ve never seen anyone clean so thoroughly, and I was just wondering when he’s going to get his job back, he’s so good at it.” No, it would be, “That’s not acceptable.” It’s fame and power that people are blinded by.”
~ Tig Notaro in the New York Times

“It’s never been easy. I’ve always been one of the scavenger dogs of film financing, picking up money here and there. I’ve been doing that all my life. This was one was relatively easy because certain costs have gone down so much. I made this film in 20 days whereas 30 years ago, it would have been made in 42.”
~ Paul Schrader